Picasso Black and White Opens at the Guggenheim in October
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PICASSO BLACK AND WHITE OPENS AT THE GUGGENHEIM IN OCTOBER
Major Exhibition Offers Unprecedented Examination of Picasso’s Black-and-White Palette with 118 Paintings, Sculptures, and Works on Paper, Including U.S. Premiere of 38 Works
Exhibition Will Travel to the Museum of Fine Arts, Houston, February 24–May 27, 2013
Exhibition: Picasso Black and White
NY Venue: Solomon R. Guggenheim Museum,
1071 Fifth Avenue, New York
Exhibition Dates: October 5, 2012–January 23, 2013
Press Preview: Thursday, October 4, 2012, 9 am–12 pm
(note early start time)
Download a PDF of this news release.
(NEW YORK, NY – October 4, 2012) -- Picasso Black and White, the first major exhibition to focus on the artist’s lifelong exploration of a black-and-white palette throughout his prolific career, will be presented at the Guggenheim Museum from October 5, 2012, to January 23, 2013. The exhibition features 118 paintings, sculptures, and works on paper from 1904 to 1971, and will offer new and striking insights into Pablo Picasso’s vision and working methods. This chronological presentation comprises significant loans drawn from private and public collections across Europe and the United States, five of which have never before exhibited or published, including works from the Picasso family and other lenders that will be on public view for the first time. Thirty-eight of these artworks will have their first U.S. presentation.
Picasso Black and White is organized by Carmen Giménez, Stephen and Nan Swid Curator of Twentieth-Century Art, Solomon R. Guggenheim Museum, with assistance from Karole Vail, Associate Curator, Solomon R. Guggenheim Museum. The exhibition is accompanied by a fully illustrated catalogue with an essay by Ms. Giménez as well as essays by Dore Ashton, Olivier Berggruen, and Richard Shiff.
This exhibition is sponsored by Bank of America.
Major support is provided by the Picasso Black and White Leadership Committee: Christina and Robert C. Baker, Chairs; Acquavella Galleries; The Aaron I. Fleischman Foundation; Gagosian Gallery; J. Ira and Nicki Harris Foundation; The Lauder Foundation—Leonard and Evelyn Lauder Fund; Phyllis and William Mack; Nancy C. and Richard R. Rogers; Stephen and Nan Swid; and Patricia and George Weiss.
Additional support is provided by the National Endowment for the Arts, the Blanche and Irving Laurie Foundation, and the Juliet Lea Hillman Simonds Foundation.
This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.
Few artists have exerted as considerable an influence over subsequent generations as Pablo Picasso (1881–1973). While his work is often seen through the lens of his diverse styles and subjects, the recurrent motif of black, white, and gray is frequently overlooked. Picasso Black and White presents a unique and illuminating perspective on a lesser-known but fascinating aspect of his formidable body of work. Claiming that color weakens, Picasso purged it from his work in order to highlight the formal structure and autonomy inherent in his art. According to Carmen Giménez, his repeated minimal palette correlates to his obsessive interest in line and form, drawing, and monochromatic and tonal values, while developing a complex language of pictorial and sculptural signs. The recurrent motif of black, white, and gray is evident in his Blue and Rose periods, pioneering investigations into Cubism, neoclassical figurative paintings, and retorts to Surrealism. Even his later works that depict the atrocities of war, allegorical still lifes, vivid interpretations of art-historical masterpieces, and his sensual canvases created during his twilight years continued to apply a reduction of color. Picasso Black and White will demonstrate how the artist was continuously investigating, inventing, and drawing in somber and austere monochromatic tones throughout his career.
Managing a complicated compositiong without having to organize contrasts of color, Picasso created such masterpieces as The Milliner's Workshop (1926, a pivotal black-and-white canvas on loan for the exhibition from Musée national d'art moderne/Centre de création industrielle, Center Pompidou, Paris), The Charnel House (1944-45, on loan from the Museum of Modern Art, New York), and The Maids of Honor (Las Meninas, after Velazquez) (1957, on loan from Museu Picasso, Barcelona). Ms. Giménez explains that the graphic quality of Picasso's black-and-white works harks back to Paleolithic cave paintings created from charcoal and simple mineral pigments to the tradition of grisaille, and to European drawing. Picassoused this distinctive motif to explore a centuries-long tradition of Spanish masters, such as El Greco, José de Ribera, Francisco de Zurbarán, Diego Velázquez, and Francisco de Goya, whose use of black and gray was predominant.
Picasso Black and White is organized chronologically along the Guggenheim ramps. The exhibition opens with Woman with Vase (1933), one of two works installed on the rotunda floor. Picasso made an original plaster cast from which he molded a cement version, and displayed this later iteration at the 1937 Paris World’s Fair in front of the Spanish Pavilion. The cement sculpture disappeared when the fair was dismantled. Two bronze copies molded from the plaster were subsequently cast in 1972–73. Picasso donated one of these two copies to the people of the Spanish Republic, which currently belongs to the Museo nacional de arte Reina Sofía in Madrid. With the assistance of Ms. Giménez, it finally arrived in Spain in 1985. A second bronze version of this sculpture stands above Picasso’s tomb at the Château de Vauvenargues in the South of France.
Five major sculptures, spanning from 1909 to 1941, will be on view in the High Gallery and are examples of his most radical works. Among the many works on loan from public collections are Picasso’s Man, Woman, and Child (1906, on loan from the Kunstmuseum Basel), and Head of a Horse, Sketch for Guernica (1937, on loan from the Museo nacional centro de arte Reina Sofía, Madrid), which is his largest sketch for Guernica (1937). Exhibition highlights from private collections include: Female Nude with Guitar (1909), a rare, large charcoal drawing on canvas that remained in Picasso’s collection until his death; The Women of Algiers (version L) (1955), an interpretation of an art-historical masterpiece; The Studio at La Californie (1956), a monumental canvas; Seated Woman (Jacqueline) (1962), an important nude in tones of black and white; and five works that will be on public view for the very first time, such as Draped Nude Seated in an Armchair (1923) and Boat and Figures (1938).
Following its New York presentation, a major part of the exhibition will travel to the Museum of Fine Arts, Houston, where it will be on view from February 24 to May 27, 2013.
About the Curator
Carmen Giménez was recently inducted into Spain’s Royal Academy of Fine Arts (Real Academia de bellas artes de San Fernando) as Academician of Honor, and is the first woman to hold this title. Ms. Giménez is internationally recognized for organizing many acclaimed Guggenheim exhibitions as well as presentations throughout Europe, including the inaugural exhibition References and Identity: An Artistic Meeting in Time at the Museo nacional centro de arte Reina Sofía in Madrid, and the inaugural exhibition El Picasso de los Picasso (Picasso’s Picassos) at the Museo Picasso Málaga, where she served as director from 2003 to 2004. Ms. Giménez joined the Guggenheim in 1989, and has since curated such landmark exhibitions as: Picasso and the Age of Iron (New York, 1993); Richard Serra Escultura 1985–1999 (Bilbao, 1999); The Global Guggenheim: Selections from the Extended Collection (New York, 2001); Calder: Gravity and Grace (Bilbao, 2003); Constantin Brancusi: The Essence of Things (New York, 2004); David Smith: A Centennial (New York, 2006); Spanish Painting from El Greco to Picasso: Time, Truth, and History (New York, 2006–07); Cy Twombly (Bilbao, 2008–09); and Picasso Black and White (New York, 2012–13).
Education and Public Programs
Picasso Black and White will be accompanied by a full roster of public programs. All ticketed programs are followed by receptions, and are $10, $7 members, and free for students with ID and RSVP, unless otherwise noted. Details and registration information may be found at guggenheim.org/publicprograms.
Fridays, October 5, 2012–January 18, 2013, 1 pm (Except November 23)
Filmed through glass and transparent canvas, the rare documentaries Visit to Picasso (1949, dir. Paul Haesaerts) and The Mystery of Picasso (1956, dir. Henri-Georges Clouzot) provide an exceptional portrait of the artist in the throes of creation. Free with museum admission. Visit guggenheim.org/ filmscreenings for a complete schedule.
Artist to Artist: Koons and Picasso
Friday, October 26, 6:30 pm
Jeff Koons discusses his enduring creative fascination with Pablo Picasso, in a lively dialogue with the art historian Pepe Karmel, Associate Professor, Department of Art History, New York University.
Picasso: A Conversation
Friday, November 2, 6:30 pm
Carmen Giménez, Stephen and Nan Swid Curator of Twentieth-Century Art, Guggenheim Museum, and curator of Picasso Black and White, engages in conversation about the Spanish master and his lifelong exploration of a black-and-white palette with Diana Widmaier Picasso, art historian, co-curator of Picasso and Marie-Thérèse L’Amour fou (Gagosian Gallery, New York, 2011), and granddaughter of the artist, and Gary Tinterow, Director of the Museum of Fine Arts, Houston, as well as curator and author of notable Picasso exhibitions and publications.
Due to unforeseen personal circumstances we regret to announce that Pierre Daix is unable to participate in this program as previously planned.
Variations in Black and White
Tuesday, January 8, 6:30 pm
Susan Galassi, Senior Curator, The Frick Collection, considers the special qualities of Pablo Picasso’s masterpieces depicted in black-and-white drawings, and investigates the translation between mediums and color palettes.
Monographic Motifs: One Artist, One Theme, 1900–1970
Tuesday, January 22, 2 pm
A series of talks by emerging scholars explores artists’ extended engagement with a single form or theme. Hosted by Guggenheim Museum curators Tracey Bashkoff, Curator, Collections and Exhibitions; Carmen Giménez, Stephen and Nan Swid Curator of Twentieth-Century Art; Vivien Greene, Curator, Nineteenth- and Early Twentieth-Century Art; and Karole Vail, Associate Curator; with Kenneth Silver, Professor of Modern Art, New York University, and Anne Umland, The Blanchette Hooker Rockefeller Curator of Painting and Sculpture, the Museum of Modern Art.
About the Solomon R. Guggenheim Foundation
Founded in 1937, the Solomon R. Guggenheim Foundation is dedicated to promoting the understanding and appreciation of art, primarily of the modern and contemporary periods, through exhibitions, education programs, research initiatives, and publications. The global network that began in the 1970s when the Solomon R. Guggenheim Museum, New York, was joined by the Peggy Guggenheim Collection, Venice, has expanded to include the Guggenheim Museum Bilbao (opened 1997), the Deutsche Guggenheim in Berlin (1997–2013), and the Guggenheim Abu Dhabi currently under development. Looking to the future, the Guggenheim Foundation continues to forge international collaborations that take contemporary art, architecture, and design beyond the walls of the museum. More information about the foundation can be found at guggenheim.org.
Admission: Adults $22, students/seniors (65+) $18, members and children under 12 free. Admission includes an audio tour of Picasso Black and White in English and Spanish, in addition to an audio tour presenting highlights from the Guggenheim’s permanent collection and information about the building, available in English, French, German, Italian, and Spanish.
Museum Hours: Sun–Wed, 10 am–5:45 pm; Fri, 10 am–5:45 pm; Sat, 10 am–7:45 pm; closed Thurs. On Saturdays, beginning at 5:45 pm, the museum hosts Pay What You Wish. Throughout the duration of Picasso Black and White, the museum will offer extended hours on Sundays and Mondays from 10am until 8 pm, October 5 through January 23, with the exception of holidays on December 24 and 31.
For general information call 212 423 3500 or visit the museum online at:
For publicity images visit guggenheim.org/pressimages
User ID: photoservice
October 4 (updated from July 31, 2012)
FOR ADDITIONAL INFORMATION CONTACT
Solomon R. Guggenheim Museum
Betsy Ennis, Director, Media and Public Relations
Lauren Van Natten, Associate Director, Media and Public Relations
212 423 3840