The Robert H. N. Ho Family Foundation Chinese Art Initiative - Wang Jianwei Commission

WangJianwei artistportrait490

Beijing-Based Artist Wang Jianwei Selected as First Commissioned Artist for The Robert H. N. Ho Family Foundation Chinese Art Initiative at the Guggenheim Museum


Commissioned Work to Go on View in Fall 2014 Exhibition
Wang Jianwei: Time Temple


Download a PDF of this release in English or Chinese (simplified or traditional).

(NEW YORK, NY, October 25, 2013) — The Solomon R. Guggenheim Museum announced today the selection of Beijing-based artist Wang Jianwei as the first commissioned artist for The Robert H. N. Ho Family Foundation Chinese Art Initiative at the Guggenheim Museum. Launched in early 2013, The Robert H. N. Ho Family Foundation Chinese Art Initiative at the Guggenheim Museum has been established to expand the discourse on contemporary Chinese art by commissioning Chinese artists to create major works that will enter the Guggenheim Museum’s permanent collection and to present a series of exhibitions in conjunction with scholarly publications, notable lectures, and education programs.

The Robert H. N. Ho Family Foundation Chinese Art Initiative is part of the Guggenheim Museum’s Asian Art Initiative directed by Dr. Alexandra Munroe, Samsung Senior Curator, Asian Art, and it is led by Dr. Thomas J. Berghuis, The Robert H. N. Ho Family Foundation Curator of Chinese Art, Solomon R. Guggenheim Museum.

Wang Jianwei is recognized throughout Asia and Europe for his bold experiments in conceptual, multimedia, and installation art—linking live performance, theater, and film production to sculpture, documentary photography, and figurative and abstract painting. His highly innovative, masterfully formal, and subtly complex practice engages with the most topical issues of social and political life in China today. The exhibition will be the artist’s first solo museum show in North America.

For this first cycle of The Robert H. N. Ho Family Foundation Chinese Art Initiative at the Guggenheim Museum, Wang Jianwei has been commissioned to produce a multimedia installation comprised of sculpture, video, and painting—promising an immersive, rich, and complex environment. The thematic, conceptual, and formal parameters of the commission will be developed over the next year, and the work will be presented to the public at the Guggenheim Museum in fall 2014 as the first of three commission-based exhibitions that will explore key ideas and core artists who shape contemporary Chinese art within a global context.

Wang Jianwei is considered one of the leading artists of the historic, post-reform avant-garde and experimental art movements in China. Wang is also recognized as an influential thought leader and cultural catalyst in China for his work as a writer and for his public discourse on contemporary Chinese art and culture. Born in 1958 in Sichuan Province (Western China), Wang pursued his graduate studies at the Zhejiang Academy of Fine Arts (now China Academy of Art) in Hangzhou. Beginning in the early 1990s, Wang became a pioneer of video and installation art in China, while developing a singular artistic practice invested in increasingly elaborate multimedia productions. Exploring history and social memory, Wang’s subject matter often concerns the everyday, existential conditions of life in China under rapid economic reform, and the expansion of urbanization of traditionally rural societies. Informed by critical theory and Chinese philosophy, his works often seek to give form to structures of contingency, process, and the nature of contemporary being.

Wang Jianwei’s work has been featured in several exhibitions, including Documenta X (1997); How Latitudes Become Form: Art in a Global Age, Walker Art Center, Minneapolis (2003); Past in Reverse, Contemporary Art of East Asia, San Diego Museum of Art (2004); Between Past and Future, International Center of Photography and Asia Society, New York (2004); The Wall (2005), Albright-Knox Art Gallery, Buffalo; and his projects: Flying Bird Is Motionless (2005) and Dilemma: Three-Way Fork in the Road (2007), were presented at Chambers Fine Art, New York. Wang recently had two solo exhibitions in Beijing: Yellow Signal (2011) at the Ullens Center for Contemporary Art (UCCA) and “the event matured, accomplished in sight of all non-existent human outcomes” (2013) at the Long March Space.

Wang Jianwei: Time Temple is organized by Dr. Thomas J. Berghuis, The Robert H. N. Ho Family Foundation Curator of Chinese Art, Solomon R. Guggenheim Museum.

The Robert H. N. Ho Family Foundation
Established in Hong Kong in 2005 by Robert Hung Ngai Ho as a private philanthropic organization, The Robert H. N. Ho Family Foundation works to foster and support Chinese arts and culture and to promote a deeper understanding of Buddhist teachings and their application in everyday life. The Foundation supports efforts that make traditional Chinese arts accessible and relevant to audiences worldwide. The Foundation also supports the creation of new works that bring innovative perspectives to the history of Chinese art, and that improve the quality and accessibility of scholarship on Chinese art. Guided by a belief that the insights of Buddhism have a vital role to play in approaching the challenges facing contemporary society, The Robert H. N. Ho Family Foundation has committed substantial resources to expanding the understanding, interpretation, and application of Buddhist philosophy.

The Solomon R. Guggenheim Foundation
Founded in 1937, the Solomon R. Guggenheim Foundation is dedicated to promoting the understanding and appreciation of art, primarily of the modern and contemporary periods, through exhibitions, education programs, research initiatives, and publications. The Guggenheim network that began in the 1970s when the Solomon R. Guggenheim Museum, New York, was joined by the Peggy Guggenheim Collection, Venice, has since expanded to include the Guggenheim Museum Bilbao which opened in 1997, and the Guggenheim Abu Dhabi, currently in development. Looking to the future, the Guggenheim Foundation continues to forge international collaborations that take contemporary art, architecture, and design beyond the walls of the museum. More information about the foundation can be found at guggenheim.org.

VISITOR INFORMATION
Admission: Adults $22, students/seniors (65+) $18, members and children under 12 free. Available with admission or by download to personal devices, the Guggenheim’s new, free app offers an enhanced visitor experience. The app features content on special exhibitions, access to more than 1,200 works in the Guggenheim’s permanent collection, and information about the museum’s landmark building. Verbal Imaging guides for select exhibitions are also included for visitors who are blind or have low vision. The Guggenheim app is sponsored by Bloomberg.

Museum Hours: Sun–Wed, 10 am–5:45 pm; Fri, 10 am–5:45 pm; Sat, 10 am–7:45 pm; closed Thurs. On Saturdays, beginning at 5:45 pm, the museum hosts "Pay What You Wish." For general information, call 212 423 3500 or visit the museum online at:

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#1319
October 25, 2013 (Updated May 5, 2014)

FOR ADDITIONAL INFORMATION CONTACT
Betsy Ennis, Director, Media and Public Relations
Keri Murawski, Senior Publicist
Solomon R. Guggenheim Museum
212 423 3840
pressoffice@guggenheim.org

Portrait of artist Wang Jianwei in his studio, Beijing, 2013. Photo: Xiao Mi. Courtesy the artist.

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