Guggenheim Exhibition Schedule 2010-2011
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GUGGENHEIM EXHIBITION SCHEDULE 2010-2011
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THE DEUTSCHE BANK SERIES AT THE GUGGENHEIM
ANISH KAPOOR: MEMORY
Through March 28, 2010
With the inauguration of the Deutsche Guggenheim in 1997, the Solomon R. Guggenheim
Foundation and Deutsche Bank launched a unique and ambitious program of contemporary
art commissions that has enabled the Deutsche Guggenheim to act as a catalyst for artistic
production. Anish Kapoor: Memory is the 14th project to be completed since the program’s
inception and is the foundation’s first collaboration with the artist. On view in New York
after its Berlin debut, the commission demonstrates Kapoor’s ability to create a site-specific
work that engages with two very different exhibition spaces. Born in 1954 in Bombay, the
artist has lived in London since the early 1970s and quickly rose to prominence in the 1980s.
Best known for his explorations of the concept of the void and his use of color and scale, he
has since redefined contemporary sculpture. Memory is a remarkable new work in industrial
Cor-Ten steel that transforms the galleries through shifts in physical, mental, and
architectural scale. This exhibition is organized by Sandhini Poddar, Assistant Curator of
Asian Art.
Made possible by Deutsche Bank.
Additional support provided by the International Director’s Council of the Solomon R. Guggenheim
Museum.
The Leadership Committee is gratefully acknowledged.
PARIS AND THE AVANT-GARDE: MODERN MASTERS FROM THE GUGGENHEIM
COLLECTION
January 23–May 12, 2010
During the first decades of the 20th century, numerous painters and sculptors migrated to
Paris, which had become the international nexus for vanguard art. Bringing with them their
various customs, these artists absorbed and contributed to the latest developments, often
fusing new elements with aspects of their respective traditions in their works. While they did
not adhere to one fixed style, typical of a “school,” they united in defiance of academicism.
Their artistic innovations, including Cubism and Surrealism, profoundly influenced
generations of artists. Paris and the Avant-Garde: Modern Masters from the Guggenheim
Collection will feature some 30 paintings by such artists as Georges Braque, Marc Chagall,
Robert Delaunay, Albert Gleizes, Juan Gris, Fernand Léger, Joan Miró, Pablo Picasso, and
Yves Tanguy, among others, as well as showcase significant sculptures by Constantin
Brancusi and Alexander Calder. The exhibition is curated by Tracey Bashkoff, Curator of
Collections and Exhibitions, and Megan Fontanella, Assistant Curator.
This exhibition is supported by a grant from the Joseph and Sylvia Slifka Foundation.
TINO SEHGAL
January 29–March 10, 2010
London-born, Berlin-based artist Tino Sehgal constructs situations with people that defy the
traditional contexts of museum and gallery environments, focusing on the fleeting gestures
and social subtleties that define lived experience rather than the material aspects of
conventional art making. His singular practice has been informed by his studies in dance and
economics, yielding ephemeral works that consist only of the interactions among their
participants and are not visually documented. Organized as part of the Guggenheim’s 50thanniversary
celebrations, Sehgal’s exhibition comprises a mise-en-scène that will occupy the
entire Frank Lloyd Wright–designed rotunda. One facet of the artist’s practice, quasisculptural
choreographed movement will transform the ground floor of the rotunda into an
arena for spectatorship. On the spiraling ramp, another aspect—direct verbal interaction
between museum visitors and trained participants—will predominate. Sehgal’s works expand
the concept of what constitutes a contemporary art object, offering the viewer an immediate
engagement with the realization of the work presented. This exhibition is organized by Nancy
Spector, Chief Curator, assisted by Nat Trotman, Associate Curator, and Katherine Brinson,
Assistant Curator.
Made possible by the International Director’s Council of the Solomon R. Guggenheim Museum.
Additional funding provided by the Institut für Auslandsbeziehungen, the Juliet Lea Hillman Simonds
Foundation, and the Consulate General of the Federal Republic of Germany.
The Leadership Committee for Tino Sehgal, with founding support from Marian Goodman Gallery, is
gratefully acknowledged.
CONTEMPLATING THE VOID: INTERVENTIONS IN THE GUGGENHEIM
MUSEUM
AN ANNIVERSARY BENEFIT EVENT
February 12–April 28, 2010
This exhibition celebrates the catalytic power of the Frank Lloyd Wright–designed museum’s
spiraling rotunda on the occasion of the building’s 50th Anniversary. Since its opening in
1959, the building has served as an inspiration for invention, challenging artists and architects
to react to its eccentric, organic design. The central void of the rotunda has elicited many
unique responses over the years, which have been manifested in both site-specific solo shows
and memorable exhibition designs. With that history in mind, the Guggenheim invited
approximately 200 artists, architects, and designers to imagine their dream interventions in
the space. The show will feature their renderings of these visionary projects in a salon-style
installation that will emphasize the rich and diverse range of the proposals. This exhibition is
organized by Nancy Spector, Chief Curator, and David van der Leer, Assistant Curator for
Architecture and Design.
HAUNTED: CONTEMPORARY PHOTOGRAPHY/VIDEO/PERFORMANCE
March 26–September 6, 2010
Much of contemporary photography and video seems haunted by the past, by ghostly
apparitions that are reanimated in reproductive media, as well as in live performance and the
virtual world. By using dated, passé, or quasi-extinct stylistic devices, subject matter, and
technologies, this art embodies a melancholic longing for an otherwise unrecuperable past.Haunted: Contemporary Photography/Video/Performance examines the myriad ways
photographic imagery is incorporated into recent practice and in the process underscores the
unique power of reproductive media while documenting a widespread contemporary
obsession, both collective and individual, with accessing the past. The works included in the
exhibition range from individual photographs and photographic series, to sculptures and
paintings that incorporate photographic elements, and to videos, both on monitors and
projected, as well as film, performance, and site-specific installations. Drawn primarily from
the Guggenheim Museum collection, Haunted will feature recent acquisitions, many of which
will be exhibited by the museum for the first time. Included in the show will be work by such
artists as Marina Abramović, Bernd and Hilla Becher, Sophie Calle, Tacita Dean, Stan
Douglas, Felix Gonzalez-Torres, Roni Horn, Zoe Leonard, Robert Rauschenberg, Cindy Sherman, Hiroshi Sugimoto, Jeff Wall, and Andy Warhol. A significant part of the exhibition
will be dedicated to work created since 2001 by younger artists. This exhibition is curated by
Jennifer Blessing, Curator of Photography, and Nat Trotman, Associate Curator.
Made possible by the International Director’s Council of the Solomon R. Guggenheim Museum.
Additional support provided by a grant from The Robert Mapplethorpe Foundation and the William
Talbott Hillman Foundation.
The Leadership Committee is gratefully acknowledged.
THE DEUTSCHE BANK SERIES AT THE GUGGENHEIM
JULIE MEHRETU: GREY AREA
May–October 2010
In this exhibition, acclaimed American artist Julie Mehretu will premiere in New York Grey
Area, a new suite of paintings that she produced for the 15th project of Deutsche
Guggenheim’s commission program, which is on view in Berlin through January 6, 2010.
Mehretu is celebrated for her large-scale paintings and drawings that layer abstract forms
with familiar architectural imagery. Inspired by a multitude of sources, including historical
photographs, urban-planning grids, modern art, and graffiti, these semiabstract works explore
the intersections of power, history, dystopia, and the built environment along with their
impact on the formation of personal and communal identities. This exhibition is organized by
Joan Young, Associate Curator of Contemporary Art and Manager of Curatorial Affairs.
Made possible by Deutsche Bank.
The Leadership Committee is gratefully acknowledged.
CHAOS AND CLASSICISM: ART IN FRANCE, ITALY, AND GERMANY, 1918–1936
October 1, 2010–January 9, 2011
Chaos and Classicism: Art in France, Italy, and Germany, 1918–1936 is the first exhibition
in the United States to explore the classicizing aesthetic that followed the immense
destruction of World War I. It will examine the interwar period in its key artistic
manifestations: the poetic dream of antiquity in the Parisian avant-garde of Fernand Léger
and Pablo Picasso; the politicized revival of the Roman Empire under Benito Mussolini by
artists such as Giorgio de Chirico and Mario Sironi; and the functionalist utopianism at the
Bauhaus as well as, chillingly, the pseudobiological classicism, or Aryanism, of nascent Nazi
society. This presentation of the vast transformation in French, Italian, and German
contemporary culture will encompass painting, sculpture, photography, architecture, film,
fashion, and the decorative arts. This exhibition is curated by Kenneth E. Silver, guest curator
and Professor of Modern Art, New York University, with Vivien Greene, Curator of 19th- and
Early-20th-Century Art, Solomon R. Guggenheim Museum; Karole Vail, Assistant Curator,
Solomon R. Guggenheim Museum; and Helen Hsu, Curatorial Assistant, Solomon R.
Guggenheim Museum.
THE HUGO BOSS PRIZE 2010
Summer 2011
Established in 1996, the biennial Hugo Boss Prize, administered by the Solomon R.
Guggenheim Foundation, is awarded to an artist whose work represents a significant
development in contemporary art. Selected by an international jury of curators, the Hugo
Boss Prize 2010 short list includes Cao Fei, Hans-Peter Feldmann, Natascha Sadr
Haghighian, Roman Ondák, Walid Raad, and Apichatpong Weerasethakul. The winner of the
eighth prize will be announced in fall 2010, and an exhibition of the artist’s work will be
presented at the Guggenheim in summer 2011. Previous recipients of the prize are Matthew
Barney (1996), Douglas Gordon (1998), Marjetica Potrč (2000), Pierre Huyghe (2002),
Rirkrit Tiravanija (2004), Tacita Dean (2006), and Emily Jacir (2008). This exhibition is
curated by Katherine Brinson, Assistant Curator.
Ongoing Exhibitions
THE THANNHAUSER COLLECTION
The newly restored Thannhauser Gallery reopened to the public in 2008 with a selection of
canvases, works on paper, and sculpture bequeathed to the museum by the important art
dealer and collector Justin K. Thannhauser (1892–1976). Representing the earliest works in
the museum’s collection, the Thannhauser holdings include significant works by Paul
Cézanne, Edgar Degas, Paul Gauguin, Edouard Manet, Claude Monet, Pablo Picasso, Camille
Pissarro, and Vincent van Gogh. Thannhauser’s commitment to supporting the early careers
of such artists as Vasily Kandinsky, Paul Klee, and Franz Marc, and to educating the public
about modern art, paralleled the vision of the Guggenheim Foundation’s originator, Solomon
R. Guggenheim. Among the works Thannhauser gave are such incomparable masterpieces as
Van Gogh’s Mountains at Saint-Rémy (Montagnes à Saint-Rémy, July 1889), Manet’s Before
the Mirror (Devant la glace, 1876), and close to 30 paintings and drawings by Picasso,
including his seminal works Le Moulin de la Galette (autumn 1900) and Woman Ironing (La
Repasseuse, spring 1904). This reinstallation of more than 30 works of the Thannhauser
Collection offers visitors the opportunity to reacquaint themselves with some of the iconic
images that comprise this celebrated collection.
VISITOR INFORMATION
Admission: Adults $18, students/seniors (65+) $15, members and children under 12 free.
Admission includes audio guide tour.
Museum Hours: Sun–Wed 10 am–5:45 pm, Fri 10 am–5:45 pm, Sat 10 am–7:45 pm, closed
Thurs. On Saturdays beginning at 5:45 pm, the museum hosts Pay What You Wish. For
general information call 212 423 3500 or visit guggenheim.org.
#1142
January 21, 2010 (Updated from December 14, 2009)
FOR ADDITIONAL INFORMATION CONTACT:
Claire Laporte
Publicist
Solomon R. Guggenheim Museum
212 423 3840
pressoffice@guggenheim.org
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