Guggenheim Presents Foto: Modernity in Central Europe, 1918–1945
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Guggenheim Museum Presents Foto: Modernity in Central Europe, 1918–1945
Exploration of Photography in Central Europe Between the World Wars, Including Related Film Series
(NEW YORK, NY—August 21, 2007) From October 12, 2007, to January 9, 2008, the Solomon R. Guggenheim Museum presents Foto: Modernity in Central Europe, 1918–1945, an exhibition that explores photography in central Europe between the two World Wars.
The exhibition was organized by the National Gallery of Art, Washington, D.C., and was curated by Matthew S. Witkovsky, Assistant Curator of Photographs at the National Gallery, where it premiered from June 10 to September 3, 2007. Valerie Hillings, Assistant Curator, Solomon R. Guggenheim Museum, is coordinator for the New York presentation. Following its presentation at the Guggenheim, the exhibition will tour to the Milwaukee Art Museum from February 9 to May 4, 2008, and the Scottish National Gallery of Modern Art, Edinburgh, from June 7 to August 31, 2008.
This exhibition is organized by the National Gallery of Art, Washington.
Support provided in part by The Robert Mapplethorpe Foundation, the Austrian Cultural Forum New York, and Czech Center New York.
In the 1920s and 1930s photography became a phenomenon of immense proportions across Germany, Czechoslovakia, Hungary, Austria, and Poland. It fired the imagination of hundreds of progressive artists, provided a creative outlet for tens of thousands of devoted amateurs, and became a symbol of modernity for millions through its use in magazines, newspapers, advertisements, and books. Most crucially, as this exhibition will argue, it was in interwar central Europe that the history of photography as a modern art form was established. Through a series of thematic sections, this survey explores the uses and theory of modernist photography in 170 original works and printed materials from the central European region. This groundbreaking exhibition, organized by the National Gallery of Art, Washington, D.C., is the first to bring together recognized masters such as El Lissitzky, László Moholy-Nagy, and Hannah Höch with their lesser well-known contemporaries Karel Teige, Jaromír Funke, Stefan Themerson, and Kazimierz Podsadecki, amongst others, attesting to the range and dynamic output of the era.
Foto: Modernity in Central Europe, 1918–1945 is divided into eight sections, each of which compares local differences against a heritage of shared institutions and attitudes towards modernity: The Cut-and-Paste World: Recovering from War; Laboratories and Classrooms; New Women—New Men; Modern Living; The Spread of Surrealism; Activist Documents; Land without a Name; and The Cut-and-Paste World: War Returns.
The exhibition catalogue, Foto: Modernity in Central Europe, 1918–1945, written by Matthew S. Witkovsky, is published by the National Gallery of Art, Washington, D.C., in association with Thames & Hudson, London and New York. It includes an introduction by Peter Demetz, professor emeritus at Yale University; biographies of the artists; an extensive bibliography; and maps of the region showing the geopolitical shifts of the early 20th century. The 310-page publication with 192 color and 59 black-and-white illustrations is available from the National Gallery of Art by phone at 202 842 6002 or 800 697 9350 ($60.00 hardcover, $45.00 softcover).
Film Program: Modernity and Tradition: Film in Interwar Central Europe
The exhibition is accompanied by a film program, Modernity and Tradition: Film in Interwar Central Europe, organized by the National Gallery of Art, Washington D.C., which considers related themes in the exhibition. A full schedule is attached.
The following programs are held at the Solomon R. Guggenheim Museum. Unless otherwise noted, tickets for Public Programs are $10 ($7 for members, students, and seniors). For updated information regarding ticketed programs, contact the Box Office at 212 423 3587, or at email@example.com.
Lectures and Tours
On Tuesday, October 16, 2007, at 6:30 pm, Matthew Witkovsky, Assistant Curator of Photographs at the National Gallery, Washington, D.C., considers central Europe’s many achievements in photography, and the importance of photography to modern life in that region. Sports, depictions of gender, Surrealist experimentation, and photomontage were all explored during this tumultuous era, when recently founded nations and dismantled empires alike were searching for their place in a new world order. A reception will follow.
On Tuesday, January 8, 2008, at 6:30 pm, internationally-acclaimed conceptual artist Christian Boltanski speaks on his expansive body of work, in which he examines the collision of the personal and social, as well as the intersection of memory and archival documentation in shaping our vision of the past.
Works & Process at the Guggenheim
On Sunday, December 9 and Monday, December 10, 2008, at 7:30 pm, Works & Process at the Guggenheim presents Dada, Jazz, and the Avant-Garde, a program curated by pianist Sarah Rothenberg. Erwin Schulhoff's Jazz Etudes, Paul Hindemith's Trio for piano, viola and saxophone, Stefan Wolpe's Dadaist For Anna Blume by Kurt Schwitters, and rarely heard works by Webern and Dessau are performed along with Jurt Weill's Berlin Songs and Bartok's Contrasts. Violinist Joel Smirnoff and soprano Lucy Shelton join Rothenberg, among others. Foto curator Matthew Witkovsky moderates a discussion. Tickets are $25 ($20 for members, $10 students). Foto will be open prior to and following the performance.
Admission and Museum Hours
Admission is $18 for adults, $15 for students and seniors (65+), and children under 12 are free. Please note that portions of the museum are currently closed during the restoration process. The museum is open Saturday to Wednesday, 10 am to 5:45 pm, Friday 10 am to 7:45 pm. The museum is closed on Thursday. For general information, please call 212 423 3500 or go to www.guggenheim.org.
August 21, 2007
FOR ADDITIONAL INFORMATION CONTACT:
Betsy Ennis / Leily Soleimani
Solomon R. Guggenheim Museum
Tel: 1 212 423 3840
For publicity images go to http://www.guggenheim.org/press_office.html
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Modernity and Tradition: Film in Interwar Central Europe
Fridays, October 12, 19 and 26, 2, 4, and 6:30 pm
A program of short and feature-length experimental, documentary, and narrative films from Germany, Czechoslovakia, Hungary, and Poland accompanies Foto: Modernity in Central Europe, 1918–1945. Film screenings at 2 and 4 pm are free with museum admission; 6:30 pm. Screenings are $10 ($7 for members, students, and seniors). The film series was organized by the National Gallery, Washington.
For more information, call the Box Office: 212 423 3587
FRI OCT 12
2:00 pm. City Films
Praha v září světel (Prague at Night) by Svatopluk Innemann (1928, 35 mm, silent, 24 minutes, Czechoslovakia)
Bezúčelná procházka (Aimless Walk) by Alexandr Hackenschmied (1930, 35 mm, silent, 20 minutes, Czechoslovakia)
Žijeme v Praze (Living in Prague) by Otakar Vávra (1934, 35 mm, silent with music track, 13 minutes, Czechoslovakia)
Großstadt Zigeuner (Urban Gypsies) by László Moholy-Nagy (1932, 35 mm, silent, 11 minutes, Germany)
Budapest fürdőváros (Budapest, City of Baths) by István Somkúti, (1935, 35 mm, silent with music track, 14 minutes, Hungary)
Jewish Life in Lwów by Shaul and Yitzhak Goskind (1938/1939, 16 mm, Yiddish with subtitles, 10 minutes, Poland)
4:00 pm. Homeland, Homeland: My Country
A magyar falu (The Hungarian Village) by László Kandó, (1935, 35 mm, Hungarian with English intertitles, 15 minutes, Hungary)
Kujawiak (Kuyaviak) (from the Polish Dance Series) by Eugeniusz Cękalski (1935, 35 mm, English, 7 minutes, Poland)
Píseň o Podkarpatské Rusi (The Song of Ruthenia) by Jiří Weiss (1937, 35 mm, Czech with translation, 11 minutes, Czechoslovakia)
Tavaszi zápor (Spring Shower) by Pál Fejős (1932, 35 mm, French and Hungarian with subtitles, 62 minutes, Hungary)
6:30 pm. The Popular
Der letzte Mann (The Last Laugh) by F.W. Murnau (1924, 35 mm, silent with music track and English intertitles, 90 minutes, Germany)
FRI OCT 19
2:00 pm. Avant-garde Shorts
Vormittagsspuk (Ghosts before Breakfast) by Hans Richter (1927/1928, 16 mm, silent, 6 minutes, Germany)
Buty (Boots) by Jerzy Gabrielsky (1934, 35 mm, Polish with subtitles, 12 minutes, Poland)
Dziś mamy bal (There is a Ball Tonight) by Jerzy Zarzycki and Tadeusz Kowalski, (1934, 35 mm, silent with music track and subtitles, 7 minutes, Poland)
Przygoda człowieka poczciwego (The Adventure of a Good Citizen) by Stefan and Franciszka Themerson (1937, 35 mm, Polish with subtitles, 8 minutes, Poland)
Na Pražském hradĕ (At the Prague Castle) by Alexandr Hackenschmied (1931, 35 mm, silent with music track, 11 minutes, Czechoslovakia)
Silnice zpívá (The Highway Sings) by Elmar Klos (1937, 35 mm, Czech with subtitles, 4 minutes, Czechoslovakia)
4:00 pm. The Popular
Hej rup! (Heave Ho!) by Martin Frič (Jiří Voskovec / Jan Werich) (1934, 35 mm, Czech with subtitles, 99 minutes, Czechoslovakia)
6:30 pm. The Popular
Címzett ismeretlen (Address Unknown) by Béla Gaál (1935, 35 mm, Hungarian with subtitles, 81 minutes, Hungary)
FRI OCT 26
2:00 pm. Celluloid Myths and Celluloid Dreams
Das Wachsfigurenkabinett (Waxworks) by Paul Leni (1924, 16 mm, silent with English intertitles, 61 minutes, Germany)
Divotvorné oko (The Magic Eye) by Jiří Lehovec (1939, 35 mm, Czech with subtitles, 10 minutes, Czechoslovakia)
4:00 pm. Most Important Art
Mutter Krausens Fahrt ins Glück (Mother Krause's Journey to Happiness) by Piel Jutzi (1929, 35 mm, silent, German intertitles with translation, 104 minutes, Germany)
6:30 pm. The Popular
Der blaue Engel (The Blue Angel) by Josef Von Sternberg (1930, 35 mm, German with subtitles, 106 minutes, Germany)