Re: Contemplating the Void Winners Announced
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To celebrate the close of
Guggenheim's 50th Anniversary year on May 14, 2010, the museum ran a
competition corresponding to the exhibition Contemplating the
Interventions in the Guggenheim,
inviting participants to reimagine the museum's iconic
submit their ideas via the image-sharing site Flickr. At midnight on
May 14, 2010, the
last day of the 50th Anniversary year, the Re:
Void—Create Your Own Guggenheim
competition closed after receiving over 200 submissions. After careful
review, Contemplating the Void curators Nancy
Director and Chief Curator, and David Van Der Leer, Assistant
for Architecture and Design, have selected five winning
all of the winners! Please note that the
competition Flickr pool will
remain open for others to share their own reimaginings of the
Below, each winner describes the inspiration behind his or her design.
St. Paul, Minnesota
In The Buried Void, a stream of sand falls continuously from the oculus at the top of the Guggenheim into the museum and collects on the rotunda floor. For fifty years the sand will gradually fill the void, stopping on October 21, 2059 (the 100th anniversary of the Guggenheim) when it will have filled the space completely. Until then, guests in the building will be encouraged to experience and actively participate in this measure of time: as the physical objects in their lives become obsolete, visitors are encouraged to place them into museum-provided capsules and throw them into the sand. During the centennial celebration of the Guggenheim the rotunda will be excavated and the contents will be displayed in an evolutionary retrospective of forgotten things from the first half of the 21st century. The inspiration for this intervention comes from two sources: the first is wondering what will be forgotten by the future and how it could be remembered, the second is a desire to trace the passage of time through the physical means of space and objects.
Sao Paulo, Brazil
Favelart was inspired by Brazil where, if the culture does not reach out to parts that are in poverty, then poverty will, in turn, invade the culture.
David Andrew Tasman
New York, New York
Sunflowers proposes the installation of a field of sunflowers on the upper level of the rotunda. For the past 50 years, the Guggenheim has helped to bring art into life as well as the reverse. By bringing the outside in, the typical relationship between building and landscape is inverted, making the natural available for contemplation in a way that is normally reserved for works of art. The inspiration for this intervention came from an interest in popular culture and using contrasting juxtapositions as away to invoke the sublime.
Bad Architects Group (Paul Burgstaller/Ursula Faix
VOID CONDITION(ED) was inspired by the German word for “void” (luftraum), which literally translates to “air space,” and the idea to change the space completely by changing it as little as possible. By conditioning the air already present in the void, one can access the space without interrupting how it currently exists, while simultaneously adding another dimension or layer to the existing experience in form of a vertical wind tunnel.
(watch the fool)
Bruny Yan You Fu
WTF?! (watch the fool) tries to give a geometrical response to "contemplating the void." The inspiration for this intervention was drawn from a story about the famous architect, Tadao Ando. When Ando was young, the roof of his house collapsed and left a big hole. This was when Ando came to realize that "contemplating the void" is also feeling the space, feeling the beauty of something invisible. Inspiration was also drawn from the Pantheon of Hadrien in Rome.