Picasso Black and White

Guggenheim Museum

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Solomon R. Guggenheim Museum
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Being Singular Plural

On View Now

Being Singular Plural offers film, video, and interactive sound-based installations by artists and filmmakers working in India.

Pablo Picasso, The Milliner'sWorkshop (Atelier de la modiste), Paris, January 1926

Pablo Picasso, The Milliner's Workshop (Atelier de la modiste), Paris, January 1926. Oil on canvas, 172 x 256 cm. Musée national d’art moderne/Centre de création industrielle, Centre Pompidou, Paris, Gift of the artist, 1947. © 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: CNAC/MNAM/Dist. Réunion des Musées Nationaux/Art Resource, NY

October 5, 2012–January 23, 2013

Surveying the Spanish master’s oeuvre from 1904 to 1971, Picasso Black and White examines the artist’s lifelong exploration of a black-and-white palette through some 110 paintings, sculptures, and works on paper. Picasso’s deceptively simple use of isolated black, white, and gray hues belies the extraordinary complexity and power of these expressive works, which purge color in order to highlight their formal structure. The exhibition traces the artist’s unique vision thematically throughout his whole body of work, including early monochromatic blue and rose paintings, gray-toned Cubist canvases, elegant and austere neoclassical portraits and nudes, Surrealist-inspired figures, forceful and somber scenes depicting the atrocities of war, allegorical still lives, vivid interpretations of art-historical masterpieces, and the electric, highly sexualized canvases of Picasso’s last years.

This exhibition is supported in part by the National Endowment for the Arts.

Additional support is provided by the Blanche and Irving Laurie Foundation and the Juliet Lea Hillman Simonds Foundation.

The Leadership Committee for Picasso Black and White is gratefully acknowledged.

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