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Rendering of installation for the Solomon R. Guggenheim Museum, New York, 2012. Artificial and natural light. Rendering created by Andreas Tjeldflaat James Turrell
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Robert Motherwell, View from a High Tower, 1944–45. Tempera, oil, ink, pastel, and pasted wood veneer, drawing papers, Japanese papers, and printed map on paperboard, 74.3 x 74.3 cm. Private collection © Dedalus Foundation/Licensed by VAGA, New York, NY Robert Motherwell: Early CollagesSeptember 27, 2013–January 5, 2014
Devoted exclusively to papier collés and related works on paper from the 1940s and early 1950s by Robert Motherwell, this exhibition examines the American artist’s origins and his engagement with collage, which he described in 1944 as “the greatest of our [art] discoveries.” |
Christopher Wool, Untitled, 2010. Enamel on linen, 243.8 x 198.1 cm. © Christopher Wool. Courtesy the artist Christopher WoolOctober 25, 2013–January 22, 2014
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Carrie Mae Weems, Untitled (Man and Mirror) from Kitchen Table Series, 1990. Gelatin silver print, 27 ¼ x 27 ¼ in. Collection of Eric and Liz Lefkofsky, 115-128.2010, promised gift to The Art Institute of Chicago © Carrie Mae Weems. Photography © The Art Institute of Chicago Carrie Mae Weems: Three Decades of Photography and VideoJanuary 24–April 23, 2014
Carrie Mae Weems is a socially motivated artist whose works invite contemplation on race, gender, and class. Increasingly, she has broadened her view to include global struggles for equality and justice. Comprehensive in scope, this retrospective primarily features photographs, including the groundbreaking Kitchen Table Series (1990), but also presents written texts, audio recordings, and videos. |
Giacomo Balla, Abstract Speed + Sound (Velocità astratta + rumore), 1913–14. Oil on board, 54.5 x 76.5 cm. The Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice. Photo courtesy Solomon R. Guggenheim Foundation, New York. © 2012 Artists Rights Society (ARS), New York/SIAE, Rome Italian Futurism, 1909–1944: Reconstructing the UniverseFebruary 21–September 1, 2014
The first comprehensive overview of Italian Futurism to be presented in the United States, this multidisciplinary exhibition examines the historical sweep of the movement from its inception with F. T. Marinetti’s Futurist manifesto in 1909 through its demise at the end of World War II. |






