Upcoming Exhibitions

Alberto Burri, Rosso plastica M 2 (Red Plastic M 2), 1962

Alberto Burri, Rosso plastica M 2 (Red Plastic M 2), 1962. Plastic (PVC and PE) and combustion on black fabric, 120 x 180 cm. Private collection © Fondazione Palazzo Albizzini Collezione Burri, Città di Castello/2015 Artist Rights Society (ARS), New York/SIAE, Rome

Alberto Burri: The Trauma of Painting

This major retrospective exhibition—the first in the United States in more than 35 years and the most comprehensive ever mounted—showcases the pioneering work of Italian artist Alberto Burri (1915–1995).

Photo-Poetics: An Anthology

Leslie Hewitt, Riffs on Real Time (4 of 10), 2006–09. Chromogenic print, 76.2 x 61 cm, edition 5/5. Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by the Photography Committee 2010.56 © Leslie Hewitt

Photo-Poetics: An Anthology

This group exhibition and its accompanying catalogue will examine an important development in contemporary photography, offering an opportunity to define the concerns of a younger generation of artists and contextualize their work within the history of art and visual culture.

Peter Fischli David Weiss: How to Work Better

Peter Fischli David Weiss, Untitled, 1994–2013 (detail). Hand-carved polyurethane and paint, dimensions variable. Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by the Collections Council and through prior gifts of an anonymous donor, Mr. and Mrs. Nathan L. Halpern, and the Andrew Powie Fuller and Geraldine Spreckels Fuller Bequest 2014.115. Photo: Jason Klimatsis ©Peter Fischli David Weiss, Courtesy Matthew Marks Gallery

Peter Fischli David Weiss: How to Work Better

For more than three decades, Peter Fischli (b. 1952) and David Weiss (1946–2012) collaborated to create a unique oeuvre that brilliantly exploits humor, banality, and a keen rethinking of the readymade to realign our view of the world. Peter Fischli David Weiss: How to Work Better will offer the most thorough investigation of their joint production to date, revealing the ways they juxtaposed the spectacular and the ordinary in order to celebrate the sheer triviality of everyday life, while creating an open-ended interrogation of temporality, visual culture, and the nature of existence itself.

Moholy-Nagy: Future Present

László Moholy-Nagy, B-10 Space Modulator, 1942. Oil on incised and molded Plexiglas, mounted with chromium clamps on painted plywood; Plexiglas: 45.1 x 30.5 cm. Solomon R. Guggenheim Museum, New York. Solomon R. Guggenheim Founding Collection 47.1063 © ARS, New York/VG Bild-Kunst, Bonn

Moholy-Nagy: Future Present

The first comprehensive retrospective of the work of László Moholy-Nagy (1895–1946) to appear in the United States in nearly fifty years, this long overdue presentation will reveal a utopian artist who believed that art could work hand-in-hand with technology for the betterment of humanity.

Agnes Martin, Untitled, 1977

Agnes Martin, Untitled, 1977. Watercolor and graphite on paper, image: 9 x 9 inches; sheet: 30.5 x 30.5 cm. Solomon R. Guggenheim Museum, New York Gift, American Art Foundation, 178.2415 © 2015 Agnes Martin/Artists Rights Society (ARS), New York

Agnes Martin

This exhibition traces the career of Agnes Martin (1912–2004), one of the preeminent American painters of the twentieth century, from her early experiments of the 1950s through her mature oeuvre and final paintings, making it the first comprehensive survey of the artist’s work since her death in 2004.

Guggenheim Museum

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Solomon R. Guggenheim Museum
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New York, NY 10128-0173
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