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Purchase the Italian Futurism, 1909–1944: Reconstructing the Universe exhibition catalogue.
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Edited by Nancy Spector with contributions by Michael Archer, Jan Avkigos, Daniel Birnbaum, Ina Blom, Stefano Boeri, Francesco Bonami, Nicolas Bourriaud, Xavier Douroux, Patricia Falguieres, Hal Foster, Heike Föll, Massimiliano Gioni, Michael Govan, Jens Hoffman, Chrissie Iles, Branden Joseph, Emily King, Christy Lange, Maria Lind, Tom Morton, Molly Nesbit, Hans Ulrich Obrist, Beatrix Ruf, Stephan Schmidt-Wulffen, Barbara Steiner, Rachael Thomas, Giorgio Verzotti, Olivier Zahm, and Dorothea von Hantelmann
Published in 2008
250 pages, fully illustrated
Hardcover, 6 1/4 x 9 inches
During the 1990s a number of artists claimed the exhibition as their medium. Working independently or in various collaborative constellations, they eschewed the individual object in favor of the exhibition environment as a dynamic arena, ever expanding its physical and temporal parameters. For these artists an exhibition can comprise a film, a novel, a shared meal, a social space, a performance, or a journey. Their work engages directly with the vicissitudes of everyday life, offering subtle moments of transformation. This catalogue, which accompanies a major exhibition at the Solomon R. Guggenheim Museum, New York, is the first in the U.S. to examine the dynamic interchange among a core group of these artists—Angela Bulloch, Maurizio Cattelan, Liam Gillick, Dominique Gonzalez-Foerster, Douglas Gordon, Carsten Höller, Pierre Huyghe, Jorge Pardo, Philippe Parreno, and Rirkrit Tiravanija—a many-sided conversation that helped shape the cultural landscape of the 1990s and beyond.