This beautifully designed exhibition catalogue explores the optically vibrant paintings of the late nineteenth-century Italian Divisionists, examining, for the first time, their relationship to Neo-Impressionism. This focused study of 40 key Divisionist works is the first of its kind to appear in the United States. Featuring work by Giovanni Segantini, Théo Van Rysselberghe, Albert Dubois-Pillet, Georges Seurat, Vittore Grubicy de Dragon, Maximilien Luce, Paul Signac, Emilio Longoni, Camille Pissarro, Angelo Morbelli, Henri-Edmond Cross, Plino Nomellini, Charles Angrand, Giuseppe Pellizza da Volpedo, Giovanni Sottocornola, Jan Toorop and Gaetano Previati, it includes essays by Vivien Greene, as well as by noted scholars Giovanna Ginex, Dominique Lobstein and Aurora Scotti Tosini.

Divisionism/Neo-Impressionism: Arcadia and Anarchy