Carrie Mae Weems: Three Decades of Photography and Video

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Carrie Mae Weems, Untitled (Woman playing solitaire) (from Kitchen Table Series), 1990

Carrie Mae Weems, Untitled (Woman playing solitaire) (from Kitchen Table Series), 1990. Gelatin silver print, 27 1/4 x 27 1/4 in. Collection of Liz and Eric Lefkofsky, Promised gift to The Art Institute of Chicago. © Carrie Mae Weems. Photo: © The Art Institute of Chicago

January 24–May 14, 2014

Carrie Mae Weems is a socially motivated artist whose works invite contemplation of race, gender, and class. Increasingly, she has broadened her view to include global struggles for equality and justice. Comprehensive in scope, this retrospective primarily features photographs, including the groundbreaking Kitchen Table Series (1990), but also presents written texts, audio recordings, and videos. The exhibition traces the evolution of Weems’s career over the last 30 years, from her early documentary and autobiographical photographic series to the more conceptual and philosophically complex works that have placed her at the forefront of contemporary art. Although Weems employs a variety of means to address an array of issues, all of her work displays an overarching commitment to better understanding the present by closely examining history and identity. It also contains a desire for universality: while African Americans are typically her primary subjects, Weems wants “people of color to stand for the human multitudes” and for her art to resonate with all audiences.

Read more about Carrie Mae Weems on Guggenheim blogs.

Carrie Mae Weems hosted Carrie Mae Weems LIVE: Past Tense/Future Perfect on April 25–27, 2014 for a weekend of programs focusing on contemporary cultural production in the areas of dance, film, literature, music, theater, and visual art.

Carrie Mae Weems: Three Decades of Photography and Video is organized by the Frist Center for the Visual Arts, Nashville, Tennessee.

This exhibition is supported in part by The Robert Mapplethorpe Foundation.

The Leadership Committee for Carrie Mae Weems: Three Decades of Photography and Video is also gratefully acknowledged for its support, including Jo Carole and Ronald S. Lauder, Robert Menschel Vital Projects, and Jack Shainman Gallery, as well as Henry Buhl, Crystal R. McCrary and Raymond J. McGuire, Beth Rudin DeWoody, Rhona Hoffman Gallery, Toby Devan Lewis, Louise and Gerald W. Puschel, and Miyoung Lee and Neil Simpkins.

Additional funding is provided by the William Talbott Hillman Foundation and the New York State Council on the Arts.

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