Julie Mehretu: Grey Area
Plan Your Visit
Solomon R. Guggenheim Museum
1071 Fifth Avenue
(at 89th Street)
New York, NY 10128-0173
Hours & Ticketing
Sun 10 am–5:45 pm
Mon 10 am–5:45 pm
Tue 10 am–5:45 pm
Wed 10 am–5:45 pm
Fri 10 am–5:45 pm
Sat 10 am–7:45 pm
See Plan Your Visit for more information on ticketing and holiday hours.
Students and Seniors (65 years +) with valid ID $18
Children 12 and under Free
Multimedia guides are free with admission.
Browse the Guggenheim
Store for gifts.
May 14–October 6, 2010
term “gray area” speaks to a condition of indeterminacy, a liminal
state in which something is not clearly defined or perhaps impossible to
define. Julie Mehretu (b. 1970, Addis Ababa, Ethiopia) adapts such an
enigmatic circumstance as a tool to engage the viewer in her complex
compositions of meticulously drawn mechanical renderings, spontaneous
gestural markings, and colorful interjections. The images seem to exist
at a horizon where the work could either plunge into dense obscurity or
nearly disappear into an ethereal cloud of dust. Yet a remarkable sense
of pictorial space always exists in Mehretu’s paintings, created not
just by their layering but also by the contrasts inherent in them. What
appears abstract from afar is replete with detailed drawing when viewed
up close. And just as one is able to glean some bit of information in
order to identify a rendering, it vaporizes into an indefinability that
compels the viewer to look again and again.
The paintings in this exhibition were produced as the 15th commission of Deutsche Bank and the Solomon R. Guggenheim Foundation. Inspired in part by Berlin, the city in which Mehretu created the works, the paintings evoke the psychogeography of a place and the effects of the built environment on individuals, while at the same time contemplating the past and the surviving traces of lived history. Walking through Berlin, where one still encounters the vestiges of war, an American such as Mehretu might recall that such destruction is currently perpetrated in the conflicts in Afghanistan and Iraq. A society at war often does not think of the lasting effects of its actions, and to see memories preserved after decades of recovery is a poignant reminder. These paintings are imbued with the ghostly traces of past and current transformations in the urban landscape.