The Geometry of Kandinsky and Malevich
July 9–September 7, 2010
Russian artists Vasily Kandinsky (1866–1944) and Kazimir Malevich (1878–1935), considered two of the pioneers of abstraction, separately explored a geometric vocabulary during the course of their careers. Malevich is recognized for his circa 1914 invention of Suprematism, an abstract style expressing universal truths through the interrelationship of color and geometric forms. On the other hand, Kandinsky, who was also interested in the universal qualities of geometry, increasingly utilized geometric motifs in his art in the early 1920s, when he took up a teaching position at the Bauhaus, a school of art and applied design in Germany. Unlike Malevich, Kandinsky insisted that even his most abstract work retained expressive content. Each artist would ultimately reinvent himself yet again at the end of his life: Malevich returning to a representational mode, and Kandinsky’s formal vocabulary altering to feature a softer palette and biomorphic forms. The Geometry of Kandinsky and Malevich examines each artist’s distinctive approach to abstraction through a focused presentation of seven paintings. This exhibition is curated by Tracey Bashkoff, Curator of Collections and Exhibitions, and Megan Fontanella, Assistant Curator.
Plan Your Visit
Solomon R. Guggenheim Museum
1071 Fifth Avenue
(at 89th Street)
New York, NY 10128-0173
Hours & Ticketing
See Plan Your Visit for more information on ticketing, including holiday hours.
Students and Seniors (65 years +) with valid ID $18
Children under 12 Free
Multimedia guides are free with admission.
Browse the Guggenheim
Store for gifts.