The Great Upheaval: Modern Art from the Guggenheim Collection, 1910–1918
Browse By
Plan Your Visit
Solomon R. Guggenheim Museum
1071 Fifth Avenue
(at 89th Street)
New York, NY 10128-0173
Purchase tickets
Hours & Ticketing
Museum Hours
Sun–Wed 10 am–5:45 pm
Fri 10 am–5:45 pm
Sat 10 am–7:45 pm
Closed Thurs, Thanksgiving, Christmas Day
Some galleries may close prior to 5:45 pm Sun–Wed and Fri (7:45 pm Sat)
Please note: All ramps and additional galleries of the museum are currently closed due to the installation of John Chamberlain: Choices, opening on February 24. The admission price is reduced at this time, and advance tickets are not available.
Adults $18
Students and Seniors (65 years +) with valid ID $15
Children under 12 Free
Members Free
Audio Tours
Audio tours are free with admission.
Further information:
Directions to the museum
Group sales
Restaurants
Visit the Guggenheim
Store. Members save 10%.
Watch additional Great Upheaval video
February 4–June 1, 2011When Vasily Kandinsky and Franz Marc formed Der Blaue Reiter (The Blue Rider) group in late 1911, the artists predicted a watershed in the arts, a große Umwälzung (great upheaval) that would radically challenge traditional artistic production. Undoubtedly, tremendous creativity and innovation characterized the years leading up to World War I, especially 1910–14. Cubism achieved recognition in Paris, sparking new artistic directions in France, Italy, the Netherlands, and Russia. Art’s more expressionistic manifestations were at an equally momentous stage in Germany and Austria; Kandinsky wrote his influential treatise On the Spiritual in Art in late 1911 (published 1912), and abstraction took hold. The Great Upheaval: Modern Art from the Guggenheim Collection, 1910–1918 features more than 100 works from the museum’s holdings, attesting to this period of collaboration, interchange, synthesis, and innovation.
Curated by Tracey Bashkoff, Curator, Collections and Exhibitions, and Megan Fontanella, Assistant Curator, Collections and Provenance.
This exhibition is supported by a grant from the Joseph and Sylvia Slifka Foundation.
