Installation Photos

  • Installation Views: Kandinsky Before Abstraction, 1901–1911

    Installation Views
    Installation Views: Kandinsky Before Abstraction, 1901–1911

    June 27, 2014–Spring, 2015
    Solomon R. Guggenheim Museum
    5th Ave at 89th St
    New York City

    Early in his career Vasily Kandinsky experimented with printmaking, produced brightly-colored landscapes of the German countryside, and explored recognizable and recurrent motifs. This intimate exhibition drawn from the Guggenheim collection explores the artist’s representational origins.

    Photo: David Heald

    Learn more at www.guggenheim.org/kandinskygallery

  • Installation Views: Kandinsky Before Abstraction, 1901–1911

    Installation Views
    Installation Views: Kandinsky Before Abstraction, 1901–1911

    June 27, 2014–Spring, 2015
    Solomon R. Guggenheim Museum
    5th Ave at 89th St
    New York City

    Early in his career Vasily Kandinsky experimented with printmaking, produced brightly-colored landscapes of the German countryside, and explored recognizable and recurrent motifs. This intimate exhibition drawn from the Guggenheim collection explores the artist’s representational origins.

    Photo: David Heald

    Learn more at www.guggenheim.org/kandinskygallery

  • Installation Views: Kandinsky Before Abstraction, 1901–1911

    Installation Views
    Installation Views: Kandinsky Before Abstraction, 1901–1911

    June 27, 2014–Spring, 2015
    Solomon R. Guggenheim Museum
    5th Ave at 89th St
    New York City

    Early in his career Vasily Kandinsky experimented with printmaking, produced brightly-colored landscapes of the German countryside, and explored recognizable and recurrent motifs. This intimate exhibition drawn from the Guggenheim collection explores the artist’s representational origins.

    Photo: David Heald

    Learn more at www.guggenheim.org/kandinskygallery

  • Installation Views: Kandinsky Before Abstraction, 1901–1911

    Installation Views
    Installation Views: Kandinsky Before Abstraction, 1901–1911

    June 27, 2014–Spring, 2015
    Solomon R. Guggenheim Museum
    5th Ave at 89th St
    New York City

    Early in his career Vasily Kandinsky experimented with printmaking, produced brightly-colored landscapes of the German countryside, and explored recognizable and recurrent motifs. This intimate exhibition drawn from the Guggenheim collection explores the artist’s representational origins.

    Photo: David Heald

    Learn more at www.guggenheim.org/kandinskygallery

  • Installation Views: Kandinsky Before Abstraction, 1901–1911

    Installation Views
    Installation Views: Kandinsky Before Abstraction, 1901–1911

    June 27, 2014–Spring, 2015
    Solomon R. Guggenheim Museum
    5th Ave at 89th St
    New York City

    Early in his career Vasily Kandinsky experimented with printmaking, produced brightly-colored landscapes of the German countryside, and explored recognizable and recurrent motifs. This intimate exhibition drawn from the Guggenheim collection explores the artist’s representational origins.

    Photo: David Heald

    Learn more at www.guggenheim.org/kandinskygallery

  • Installation Views: Kandinsky Before Abstraction, 1901–1911

    Installation Views
    Installation Views: Kandinsky Before Abstraction, 1901–1911

    June 27, 2014–Spring, 2015
    Solomon R. Guggenheim Museum
    5th Ave at 89th St
    New York City

    Early in his career Vasily Kandinsky experimented with printmaking, produced brightly-colored landscapes of the German countryside, and explored recognizable and recurrent motifs. This intimate exhibition drawn from the Guggenheim collection explores the artist’s representational origins.

    Photo: David Heald

    Learn more at www.guggenheim.org/kandinskygallery

  • Installation Views: Kandinsky Before Abstraction, 1901–1911

    Installation Views
    Installation Views: Kandinsky Before Abstraction, 1901–1911

    June 27, 2014–Spring, 2015
    Solomon R. Guggenheim Museum
    5th Ave at 89th St
    New York City

    Early in his career Vasily Kandinsky experimented with printmaking, produced brightly-colored landscapes of the German countryside, and explored recognizable and recurrent motifs. This intimate exhibition drawn from the Guggenheim collection explores the artist’s representational origins.

    Photo: David Heald

    Learn more at www.guggenheim.org/kandinskygallery

  • Installation Views: Kandinsky Before Abstraction, 1901–1911

    Installation Views
    Installation Views: Kandinsky Before Abstraction, 1901–1911

    June 27, 2014–Spring, 2015
    Solomon R. Guggenheim Museum
    5th Ave at 89th St
    New York City

    Early in his career Vasily Kandinsky experimented with printmaking, produced brightly-colored landscapes of the German countryside, and explored recognizable and recurrent motifs. This intimate exhibition drawn from the Guggenheim collection explores the artist’s representational origins.

    Photo: David Heald

    Learn more at www.guggenheim.org/kandinskygallery

  • Installation Views: Kandinsky Before Abstraction, 1901–1911

    Installation Views
    Installation Views: Kandinsky Before Abstraction, 1901–1911

    June 27, 2014–Spring, 2015
    Solomon R. Guggenheim Museum
    5th Ave at 89th St
    New York City

    Early in his career Vasily Kandinsky experimented with printmaking, produced brightly-colored landscapes of the German countryside, and explored recognizable and recurrent motifs. This intimate exhibition drawn from the Guggenheim collection explores the artist’s representational origins.

    Photo: David Heald

    Learn more at www.guggenheim.org/kandinskygallery

  • Installation Views: Kandinsky Before Abstraction, 1901–1911

    Installation Views
    Installation Views: Kandinsky Before Abstraction, 1901–1911

    June 27, 2014–Spring, 2015
    Solomon R. Guggenheim Museum
    5th Ave at 89th St
    New York City

    Early in his career Vasily Kandinsky experimented with printmaking, produced brightly-colored landscapes of the German countryside, and explored recognizable and recurrent motifs. This intimate exhibition drawn from the Guggenheim collection explores the artist’s representational origins.

    Photo: David Heald

    Learn more at www.guggenheim.org/kandinskygallery

  • Installation Views: Kandinsky Before Abstraction, 1901–1911

    Installation Views
    Installation Views: Kandinsky Before Abstraction, 1901–1911

    June 27, 2014–Spring, 2015
    Solomon R. Guggenheim Museum
    5th Ave at 89th St
    New York City

    Early in his career Vasily Kandinsky experimented with printmaking, produced brightly-colored landscapes of the German countryside, and explored recognizable and recurrent motifs. This intimate exhibition drawn from the Guggenheim collection explores the artist’s representational origins.

    Photo: David Heald

    Learn more at www.guggenheim.org/kandinskygallery

  • Installation Views: Kandinsky Before Abstraction, 1901–1911

    Installation Views
    Installation Views: Kandinsky Before Abstraction, 1901–1911

    June 27, 2014–Spring, 2015
    Solomon R. Guggenheim Museum
    5th Ave at 89th St
    New York City

    Early in his career Vasily Kandinsky experimented with printmaking, produced brightly-colored landscapes of the German countryside, and explored recognizable and recurrent motifs. This intimate exhibition drawn from the Guggenheim collection explores the artist’s representational origins.

    Photo: David Heald

    Learn more at www.guggenheim.org/kandinskygallery

  • Installation Views: Kandinsky Before Abstraction, 1901–1911

    Installation Views
    Installation Views: Kandinsky Before Abstraction, 1901–1911

    June 27, 2014–Spring, 2015
    Solomon R. Guggenheim Museum
    5th Ave at 89th St
    New York City

    Early in his career Vasily Kandinsky experimented with printmaking, produced brightly-colored landscapes of the German countryside, and explored recognizable and recurrent motifs. This intimate exhibition drawn from the Guggenheim collection explores the artist’s representational origins.

    Photo: David Heald

    Learn more at www.guggenheim.org/kandinskygallery

  • Installation Views: Kandinsky Before Abstraction, 1901–1911

    Installation Views
    Installation Views: Kandinsky Before Abstraction, 1901–1911

    June 27, 2014–Spring, 2015
    Solomon R. Guggenheim Museum
    5th Ave at 89th St
    New York City

    Early in his career Vasily Kandinsky experimented with printmaking, produced brightly-colored landscapes of the German countryside, and explored recognizable and recurrent motifs. This intimate exhibition drawn from the Guggenheim collection explores the artist’s representational origins.

    Photo: David Heald

    Learn more at www.guggenheim.org/kandinskygallery

  • Installation Views: Kandinsky Before Abstraction, 1901–1911

    Installation Views
    Installation Views: Kandinsky Before Abstraction, 1901–1911

    June 27, 2014–Spring, 2015
    Solomon R. Guggenheim Museum
    5th Ave at 89th St
    New York City

    Early in his career Vasily Kandinsky experimented with printmaking, produced brightly-colored landscapes of the German countryside, and explored recognizable and recurrent motifs. This intimate exhibition drawn from the Guggenheim collection explores the artist’s representational origins.

    Photo: David Heald

    Learn more at www.guggenheim.org/kandinskygallery

  • Installation Views: Kandinsky Before Abstraction, 1901–1911

    Installation Views
    Installation Views: Kandinsky Before Abstraction, 1901–1911

    June 27, 2014–Spring, 2015
    Solomon R. Guggenheim Museum
    5th Ave at 89th St
    New York City

    Early in his career Vasily Kandinsky experimented with printmaking, produced brightly-colored landscapes of the German countryside, and explored recognizable and recurrent motifs. This intimate exhibition drawn from the Guggenheim collection explores the artist’s representational origins.

    Photo: David Heald

    Learn more at www.guggenheim.org/kandinskygallery

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Marxz Rosado, The Process for Attaining the Signature of Pedro Albizu Campos in Neon Lights (Proceso para conseguir la firma de Pedro Albizu Campos en luces de neón), 1977–2002

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