On View

On Kawara, APR. 21, 1986 (“Monday.”)

On Kawara, APR. 21, 1986 (“Monday.”). New York. From Today, 1966–2013. Acrylic on canvas, 10 × 13 inches. Pictured with artist-made cardboard storage box, approx. 10 5/8 x 13 3/4 x 2 inches. Private collection. (C) On Kawara. Photo: Courtesy David Zwirner, New York/London

On Kawara—Silence

Through radically restricted means, On Kawara’s work engages the personal and historical consciousness of place and time. Kawara’s practice is often associated with the rise of Conceptual art, yet in its complex wit and philosophical reach, it stands well apart. Organized with the cooperation of the artist, On Kawara—Silence will be the first full representation of Kawara’s output, beginning in 1964 and including every category of work, much of it produced during his travels across the globe.

The Hugo Boss Prize 2014: Paul Chan, Nonprojections for New Lovers

Paul Chan, Sock N Tease, 2013 (detail). Concrete, cord, shoes, and video projectors with digital color video, silent, 10.2 x 358.1 x 229.9 cm overall. Courtesy the artist and Greene Naftali, New York © Paul Chan. Photo: Jason Mandella

The Hugo Boss Prize 2014: Paul Chan, Nonprojections for New Lovers

Paul Chan is the winner of the 2014 Hugo Boss Prize, a biennial award honoring artists who have made a visionary contribution to contemporary art. Over the past fifteen years, Chan’s wide-ranging projects have taken the shape of documentary videos, animated projections, charcoal drawings, conceptual typefaces, and public performances.

Monir Shahroudy Farmanfarmaian

Monir Shahroudy Farmanfarmaian, Geometry of Hope, 1976. Reverse painted glass, mirrored glass, plaster, and wood, 128 x 128 cm. Private collection, London © Monir Shahroudy Farmanfarmaian, courtesy Rose Issa Projects, London. Photo: Courtesy the artist and Rose Issa Projects, London

Monir Shahroudy Farmanfarmaian: Infinite Possibility. Mirror Works and Drawings 1974-2014

This is the first U.S. museum exhibition of mirror works and drawings by Iranian artist Monir Shahroudy Farmanfarmaian.


Frank Lloyd Wright and David Henken reviewing architectural drawings for the pavilion, 1953. Photo: © Pedro E. Guerrero

A Long-Awaited Tribute: Frank Lloyd Wright's Usonian House and Pavilion

This presentation, composed of selected materials from the Solomon R. Guggenheim Museum Archives, pays homage to the first Frank Lloyd Wright–designed structures in New York City.

Vincent van Gogh, Mountains at Saint-Rémy (Montagnes à Saint-Rémy), July 1889

Vincent van Gogh, Mountains at Saint-Rémy (Montagnes à Saint-Rémy), July 1889. Oil on canvas, 28 1/4 x 35 3/4 inches (71.8 x 90.8 cm). Solomon R. Guggenheim Museum, New York, Thannhauser Collection, Gift, Justin K. Thannhauser 78.2514.24

Thannhauser Collection


Justin K. Thannhauser was the son of renowned art dealer Heinrich Thannhauser, who founded the Galerie Moderne in Munich in 1909. From an early age, Thannhauser worked with his father, building an impressive program of exhibitions of Impressionism and Post-Impressionism and the art of the contemporary French and German avant-gardes. The Thannhausers’ commitment to promoting artistic progress paralleled the vision of Solomon R. Guggenheim. In recognition of this shared spirit, Justin Thannhauser ultimately bequested a significant portion of his art collection—including masterpieces by Cézanne, Gauguin, Manet, Monet, Picasso, Pissarro, Renoir, and van Gogh—which is on view in a dedicated gallery, to the Guggenheim Museum.

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On Kawara exhibition catalogue

Purchase the exhibition catalogue for On Kawara—Silence.