International Exhibitions

 

Plan Your Visit

Solomon R. Guggenheim Museum
1071 Fifth Avenue (at 89th Street)
New York, NY 10128-0173

Hours & Ticketing

 

Museum Hours

Sun–Wed 10 am–5:45 pm
Fri 10 am–5:45 pm
Sat 10 am–7:45 pm
Closed Thurs
Some galleries may close prior to 5:45 pm Sun–Wed and Fri (7:45 pm Sat)

Admission

Adults $18
Students and Seniors (65 years +) with valid ID $15
Children under 12 Free
Members Free

Audio Tours

Audio tours are free with admission.


Further visitor information, including directions to the museum, group sales, and information about the café, can be found on the Visit Us page.

ONGOING

The Thannhauser Collection of Impressionist Post-Impressionist, and modern French masterpieces

Visit other
Guggenheim
Museum locations

Venice
Bilbao
Berlin
Abu Dhabi

Umberto Boccioni, Dynamism of a Cyclist, 1913

Umberto Boccioni, Dynamism of a Cyclist, 1913. Oil on canvas, 70 x 95 cm. Gianni Mattioli Collection, Long-term loan to the Peggy Guggenheim Collection, Venice

Masterpieces of Futurism at the Peggy Guggenheim Collection

February 18–December 31, 2009

Peggy Guggenheim Collection, Venice

One hundred years after the publication in Le Figaro on February 20, 1909, of the Futurist Manifesto, signed by the “jeune poète Italien” Filippo Tommaso Marinetti, the Peggy Guggenheim Collection celebrates this revolutionary avant-garde movement with the exhibition Masterpieces of Futurism at the Peggy Guggenheim Collection, curated by Philip Rylands, director of the museum.

Juan Gris, Newspaper and Fruit Dish (Journal et compotier), 1916

Juan Gris, Newspaper and Fruit Dish (Journal et compotier), 1916. Oil on canvas, 46 x 37.8 cm. Solomon R. Guggenheim Museum, New York, Gift, Estate of Katherine S. Dreier 53.1341. Juan Gris © 2003 Artists Rights Society (ARS), New York/ADAGP, Paris

From Private to Public: Collections at the Guggenheim

June 26, 2009–January 10, 2010

Guggenheim Museum Bilbao

From Private to Public: Collections at the Guggenheim explores the intriguing parallels between a diverse group of art enthusiasts whose lives intersected over several decades. In conjunction with a presentation of the museum’s collections of early modern art from Impressionism to Surrealism, a selection of contemporary photography, video, painting, and sculpture from the Bohen Foundation will also be on view.

Maurice Prendergast, Festa del Redentore, ca. 1899

Maurice Prendergast, Festa del Redentore, ca. 1899. Watercolor and pencil on paper, (11 x 17 in.; 27.9 x 43.2 cm). Williams College Museum of Art, Gift of Mrs. Charles Prendergast (91.18.5)

Prendergast in Italy

October 10, 2009–January 3, 2010

Peggy Guggenheim Collection, Venice

This is the first exhibition of Prendergast’s art to be presented in Italy as well as the first assembling of the paintings he made during his two trips to Italy.  


Solomon R. Guggenheim Museum, New York, New York, 1943–59

Solomon R. Guggenheim Museum, New York, New York, 1943–59, perspective. Ink and watercolor on art paper, 20 1/8 x 24 1/8 inches (51.1 x 61.3 cm). © 2009 The Frank Lloyd Wright Foundation. FLLW FDN #4305.745

Frank Lloyd Wright

October 22, 2009–February 14, 2010

Guggenheim Museum Bilbao

Fifty years after the completion of Frank Lloyd Wright’s renowned Solomon R. Guggenheim Museum in New York, the Guggenheim Museum Bilbao presents Frank Lloyd Wright, celebrating the innovative and poetic work of the legendary architect.


Julie Mehretu, Notations, 2009

Julie Mehretu, Notations, 2009. Ink and acrylic on canvas, 304.8 x 426.7 cm. © Julie Mehretu

Julie Mehretu: Grey Area 

October 28, 2009–January 6, 2010

Deutsche Guggenheim Berlin

For the fifteenth project of Deutsche Guggenheim’s commission program, American artist Julie Mehretu will premiere a new suite of paintings. Inspired by a multitude of sources, including historical photographs, urban-planning grids, modernism, and graffiti, these semiabstract works explore the intersections of power, history, dystopia, and the built environment and their impact on the formation of personal and transcommunal identities.

László Moholy-Nagy, AXL II, 1927

László Moholy-Nagy, AXL II, 1927. Oil on canvas, 37 x 29 1/8 inches (94.1 x 73.9 cm). Solomon R. Guggenheim Museum, New York, Gift, Mrs. Andrew P. Fuller 64.1754 

Utopia Matters: From Brotherhoods to Bauhaus

January 22–April 11, 2010 

Deutsche Guggenheim Berlin

This exhibition will take an international sequence of case studies from the early nineteenth century through 1933, when the Bauhaus closed in Berlin and the ascendancy of Fascism and Stalinism curbed or negatively reframed such endeavors, and examine the evolution of utopian ideas in modern Western artistic thought and practice.