Guggenheim

Arts Curriculum

Painting

Theme: Early Works Theme: Gunpowder Drawings Theme: Classical Bodies, New Humanity Theme: The Avant-Garde Looks Backward Theme: Performance/Anxiety Theme: Selecting Images Theme: Collage and Scaling-Up Theme: Popular Culture and Media Images Theme: Poetry and Metaphor Theme: Current Events and Social Issues Theme: Formative Years and Travels, 1900–07 Theme: The Blaue Reiter Theme: Toward Abstraction, 1910–14 Theme: Moscow, 1914–21 Theme: The Bauhaus, 1922–33 Theme: Final Years in Paris, 1933–44 Theme: Blue Period Theme: Cubism Theme: Protest Theme: Tribute to a Friend Theme: Inspiration Theme: Jokes and Cartoons Theme: Hoods Theme: The Age of the Icon: 13th–17th Centuries Theme: The Early 18th Century: The Age of Peter the Great Theme: The Late 18th Century: The Reign of Catherine the Great Theme: The Coming of Age of Russian Art: First Half of the 19th Century Theme: Art and Society: Second Half of the 19th Century Theme: The Collections of Sergei Shchukin and Ivan Morozov Theme: The Early 20th Century Theme: Art and Ideology: Late 1920s–1940s Theme: Pablo Picasso (1881–1973): Woman with Yellow Hair Theme: Camille Pissarro (1830–1903): The Hermitage at Pontoise Theme: Jackson Pollock (1912–1956): Enchanted Forest Theme: Pierre Auguste Renoir (1841–1919): Woman with Parrot Theme: Edouard Vuillard (1868–1940): Place Vintimille Theme: Vasily Kandinsky (1866–1944): Composition 8 (Komposition 8) Theme: Agnes Martin (1912–2004) Theme: Bodegones Theme: Landscape of Fire Theme: Blood and Sand Theme: The Domestic World Theme: Weeping Women Theme: Virgins and Mothers Theme: Childhood Theme: Knights and Ghosts Theme: Ladies Theme: Stripes as a Visual Tool Theme: In Situ Theme: Paul Cézanne Theme: Robert Delaunay Theme: Pablo Picasso Theme: Piet Mondrian Theme: Franz Marc Theme: Vasily Kandinsky Theme: Aestheticism and Japan: The Cult of the Orient Theme: Landscapes of the Mind: Early Modern Conceptions of Nature Theme: Abstract Art, Calligraphy, and Metaphysics Theme: Art of Perceptual Experience: Pure Abstraction and Alternative Minimalism