Noguchi: The Bollingen Journey 1949–1956
Plan Your Visit
Solomon R. Guggenheim Museum
1071 Fifth Avenue
(at 89th Street)
New York, NY 10128-0173
Hours & Ticketing
Sun 10 am–5:45 pm
Mon 10 am–5:45 pm
Tue 10 am–5:45 pm
Wed 10 am–5:45 pm
Fri 10 am–5:45 pm
Sat 10 am–7:45 pm
See Plan Your Visit for more information on hours and ticketing.
Students and Seniors (65 years +) with valid ID $18
Children 12 and under Free
Multimedia tours are free with admission.
Browse the collection for our most recent acquisitions.
Learn more about the history of the Guggenheim Foundation.
January 30–April 19, 2009
Organized as a personal travelogue, this exhibition provided insight into world-renowned Japanese American artist Isamu Noguchi’s (1904–1988) sustained artistic and personal engagement with Asia. The Bollingen Foundation, with the support of Paul and Mary Conover Mellon, funded many projects, including the dissemination of Carl Jung’s essays and translations of early Asian texts. The foundation awarded Noguchi several fellowships to travel to India, Indonesia, Japan, Nepal, Sri Lanka, and elsewhere. A selection of his travel photographs captured civic and archaeological sites as well as daily rites and performance rituals. The exhibition included a limited-edition Ivory Press book with original artwork and a text by Pico Iyer.
Co-organized by the Noguchi Museum and the Sackler Center for Arts Education.
Fridays, January 30–April 19, 2009, 11 am–5 pm
New Media Theater
The Ceylonese-born art historian, collector, and curator, Ananda Kentish Coomaraswamy (1877–1947) expanded American aesthetics from object-based connoisseurship toward an understanding of the symbolic value of art. Traveling to Asia in the 1920s with his wife and American modern dancer, Stella Bloch, Coomaraswamy used the latest image technology to document ritual dance, performance festivals, and religious sites, highlighting the relationships between art, life, and nature. Stripped of sound, these black-and-white films allowed viewers to fully experience the formal expressiveness of rhythmic movement, facial inflections, and gestural phrasing.