Public Programs

Guggenheim Museum

Plan Your Visit

Solomon R. Guggenheim Museum
1071 Fifth Avenue
(at 89th Street)
New York, NY 10128-0173
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Holiday & Extended Hours

Sun 10 am–8 pm
Mon 10 am–8 pm*
Tue 10 am–5:45 pm**
Wed 10 am–5:45 pm
Thu CLOSED except for
Dec 27, 10 am–5:45 pm
Fri 10 am–5:45 pm
Sat 10 am–7:45 pm

*Monday, December 24 and 31, 10 am–5:45 pm
**Tuesday, December 25, CLOSED and January 1, 11 am–6 pm

See Plan Your Visit for more information on extended hours.


Admission

Adults $22
Students and Seniors (65 years +) with valid ID $18
Children 12 and under Free
Members Free

Audio Tours

Audio tours are free with admission.


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  • Public Programs
    Picasso’s Variations on the Masters in Black and White
    Tuesday, January 8 @ 6:30 pm
    Pablo
 Picasso, The Maids of Honor (Las Meninas, after Velázquez) (Les
Ménines, vue d’ensemble, d’après Velázquez). La Californie, August 17,
1957. Oil on canvas, 194 x 260 cm.  Museu Picasso, Barcelona, Gift of
the artist, 1968. © 2012 Estate of Pablo Picasso/Artists Rights Society
(ARS), New York. Photo: Gassull Fotografia

    Pablo Picasso, The Maids of Honor (Las Meninas, after Velázquez) (Les Ménines, vue d’ensemble, d’après Velázquez). La Californie, August 17, 1957. Oil on canvas, 194 x 260 cm. Museu Picasso, Barcelona, Gift of the artist, 1968. © 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Gassull Fotografia

    $10, $7 members, FREE students with valid ID. Limited availability. Reserve a student ticket.

    Buy Tickets

    Throughout his life, especially during his final years, Picasso sustained a dialogue with works by masters of the past that had long haunted him, explored through paint, pencil, and prints. Noted scholar Susan Galassi, Senior Curator, the Frick Collection, examines the particular qualities that Picasso brings to his analyses of masterpieces, including paintings inspired by Diego de Velázquez’s Las Meninas (ca. 1656) and Eugene Delacroix’s Women of Algiers (1834), both on view in the exhibition Picasso Black and White. Within this lecture Galassi will explore his limited black-and-white palatte, and the often abrupt jumps that the artist made between the use of black and white and brilliant color evident in his numerous series. A reception and exhibition viewing immediately follows.

  • Public Programs
    Conversations with Contemporary Artists: Ramin and Rokni Haerizadeh with Vali Mahlouji
    Tuesday, January 15 @ 6:30 pm
    Interior view of the Guggenheim Museum

    Photo: David Heald

    This program has been canceled until further notice. Please visit guggenheim.org/publicprograms for updates.

  • Public Programs
    Live Twitter Interview with Picasso Black and White Curator Carmen Giménez
    Friday, January 18 @ 2:00 pm
    Carmen Giménez

    Carmen Giménez. Photo: Lina Bertucci

    Do you have a question for Guggenheim curator Carmen Giménez? Submit your questions about Picasso Black and White by Friday, January 11, and enter to win an exhibition catalogue and two tickets to see the exhibition during its final weeks. Then on January 18, join us for a live Twitter Q&A with @artinfodotcom. Questions may be submitted by e-mail, Twitter, or Facebook.

  • Public Programs
    Monographic Motifs: One Artist, One Theme, 1900–1970
    Tuesday, January 22 @ 2:00 pm
    Pablo
 Picasso, Head of a Horse, Sketch for Guernica (Tête de cheval, étude
pour Guernica). Grands-Augustins, Paris, May 2, 1937. Oil on canvas, 65 x
 92 cm. Museo Nacional Centro de Arte Reina Sofía, Madrid, Bequest of
the artist © 2012 Estate of Pablo Picasso/Artists Rights Society (ARS),
New York. Photo: © Archivo fotográfico Museo Nacional Centro de Arte
Reina Sofía, Madrid

    Pablo Picasso, Head of a Horse, Sketch for Guernica (Tête de cheval, étude pour Guernica). Grands-Augustins, Paris, May 2, 1937. Oil on canvas, 65 x 92 cm. Museo Nacional Centro de Arte Reina Sofía, Madrid, Bequest of the artist © 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: © Archivo fotográfico Museo Nacional Centro de Arte Reina Sofía, Madrid

    $10, $7 members, FREE students with valid ID. Limited availability. Reserve a student ticket.

    Buy Tickets

    Building on the same methodological approach as the exhibition Picasso Black and White, this emerging scholars symposium gathers together parallel modernist explorations of a particular formal or thematic element in the work of Picasso’s contemporaries and other artists whose careers have spanned the 20th century.

    Richard Shiff, The University of Texas at Austin, presents the keynote lecture, “De Kooning: The Kick, The Twist, The Woman, The Rowboat.”

    The symposium concludes with “Picasso: A Conversation” (rescheduled from November 2) in which Carmen Giménez, Stephen and Nan Swid Curator of Twentieth-Century Art, Guggenheim Museum, and curator of Picasso Black and White, engages in conversation about the Spanish master and his lifelong exploration of a black-and-white palette with art historian Diana Widmaier Picasso, co-curator of Picasso and Marie-Thérèse L’Amour fou (Gagosian Gallery, New York, 2011) and granddaughter of the artist, and Gary Tinterow, Director of the Museum of Fine Arts, Houston.

    For a detailed schedule and list of speakers, see the symposium page.

  • Public Programs, Works & Process
    Keigwin + Company
    Sunday, May 19 @ 7:30 pm
    Photo: Matt Murphy

    Photo: Matt Murphy

    $35, $30 members
    Box Office: 212 423 3587

    Tickets on sale Monday, January 7.

    Company dancers, plus special ballet guests, will preview excerpts from choreographer Larry Keigwin’s new work Canvas prior to its August premiere at the Vail International Dance Festival (VIDF). The company will also perform Rock Steady (2010) and Contact Sport (2012) in their entirety, and Keigwin will discuss his work with VIDF Artistic Director Damian Woetzel.

    Canvas is commissioned by the Vail International Dance Festival with additional support from Works & Process at the Guggenheim.

For more programs and events see the calendar