Public Programs

Guggenheim Museum

Plan Your Visit

Solomon R. Guggenheim Museum
1071 Fifth Avenue
(at 89th Street)
New York, NY 10128-0173
Purchase tickets

Hours & Ticketing

Sun 10 am–5:45 pm
Mon 10 am–5:45 pm
Tue 10 am–5:45 pm
Wed 10 am–5:45 pm
Thu CLOSED
Fri 10 am–5:45 pm
Sat 10 am–7:45 pm

See Plan Your Visit for more information on hours and ticketing.


Admission

Adults $22
Students and Seniors (65 years +) with valid ID $18
Children 12 and under Free
Members Free

Audio Tours

Audio tours are free with admission.


Further information:
Directions to the museum
Group sales
Restaurants

YouTube

Guggenheim On
YouTube

Be the first to watch new Guggenheim videos. Subscribe on YouTube.

  • Public Programs
    Gutai as Science Fiction
    Tuesday, March 12 @ 4:00 pm
    Yoshida Midoru, Bisexual Flower, 1969

    Yoshida Midoru, Bisexual Flower, 1969. Plexiglas, motors, electrical circuitry, ultraviolet tubes, bath salts, water, and sound, diameter: 380 cm, height: 175 cm. Installation view: Gutai: Splendid Playground, Solomon R. Guggenheim Museum, New York, February 15–May 8, 2013. Estate of Yoshida Minoru, Japan. Photo: David Heald

    $15, $10 members, Free students with valid ID and RSVP.
    Limited availability. Reserve a free student ticket.

    Buy Tickets

    Bringing together scholars from diverse fields and experts in art and technology, this program presents new research on Gutai’s second phase in an international context. Speakers and panelists include cocurators of Gutai: Splendid Playground Ming Tiampo and Alexandra Munroe, artist Rafael Lozano-Hemmer, artist Otto Piene, independent scholar Reiko Tomii, and ArtForum editor Michelle Kuo.

  • Public Programs
    Live Twitter Q&A with Gutai Curators
    Friday, March 15 @ 2:00 pm
    Installation view: Gutai: Splendid Playground, Solomon R. Guggenheim Museum, New York, 2013

    Installation view: Gutai: Splendid Playground, Solomon R. Guggenheim Museum, New York, 2013. Photo: David Heald © 2013 Solomon R. Guggenheim Foundation, New York

    In conjunction with Asia Week and Gutai: Splendid Playground, curators Alexandra Munroe and Ming Tiampo respond to your questions about organizing the first U.S. museum exhibition of the most influential avant-garde collective in postwar Japan. Follow #Gutai and @Guggenheim on Twitter for updates. RSVP the live event on Facebook.

  • Public Programs
    Conversations with Contemporary Artists: Danh Vo
    Tuesday, March 19 @ 6:30 pm
    Conversations with Contemporary Artists

    Danh Vo, Tombstone for Phùng Vo, 2010. Marble. T. B. Walker Acquisition Fund, 2011. Installation view: Serralves Foundation, Porto, Portugal, 2010. Image courtesy the Serralves Foundation

    $12, $8 members, free students with valid ID and RSVP. Limited availability. Reserve a free student ticket.

    Buy Tickets

    Danh Vo, the ninth artist to win the Hugo Boss Prize, discusses his artistic practice and exhibition at the Guggenheim with Julie Ault, an artist, writer, and curator, and Peter Broda, who cofounded the Museum of American Graffiti, now part of the Museum of the City of New York, with Martin Wong.

  • Public Programs
    Concrete Escort I, II, III, IV
    Friday, March 22 @ 6:00 pm
    Ei Arakawa, See Weeds, 2011

    Ei Arakawa, See Weeds, 2011, at Musée Les Abattoirs, Toulouse, France from Le Printemps de Septembre Festival, Courtesy of Taka Ishii Gallery, Tokyo, Photo: Alison Vieuxmaire

    $20, $15 members, $10 students

    Buy Tickets

    New York based Japanese performance artist Ei Arakawa invites painters, sculptors, dancers, filmmakers, and archivists to form a temporal group addressing Gutai today. Resulting in a performative exhibition tour where the audience will be escorted and repositioned, emphasis will be on the power dynamic within Gutai, women and men; singularity and plurality; performance and painting. Tasked to communicate the diversity of Gutai activities, each tour will journey along a different route. Participants include Ei Arakawa, Simone Forti, Jutta Koether, Andrew Lampert, and Caitlin MacBride.

  • Public Programs
    Concrete Escort I, II, III, IV
    Friday, March 22 @ 8:00 pm
    Ei Arakawa, See Weeds, 2011

    Ei Arakawa, See Weeds, 2011, at Musée Les Abattoirs, Toulouse, France from Le Printemps de Septembre Festival, Courtesy of Taka Ishii Gallery, Tokyo, Photo: Alison Vieuxmaire

    $25, $20 members

    Buy Tickets

    New York based Japanese performance artist Ei Arakawa invites painters, sculptors, dancers, filmmakers, and archivists to form a temporal group addressing Gutai today. Resulting in a performative exhibition tour where the audience will be escorted and repositioned, emphasis will be on the power dynamic within Gutai, women and men; singularity and plurality; performance and painting. Tasked to communicate the diversity of Gutai activities, each tour will journey along a different route. Participants include Ei Arakawa, Simone Forti, Jutta Koether, Andrew Lampert, and Caitlin MacBride. Tour is followed by a reception.

  • Public Programs
    Sanbaso
    Thursday, March 28 @ 2:00 pm
    Sanbaso

    © Shinji Masakawa, courtesy of Odawara Art Foundation

    Seated: $50, $45 members, $25 students

    Buy Tickets

    Standing: $30, $25 members, $15 students

    Buy Tickets

    Box Office: 212 423 3587

    Star Kyogen actor Mansai Nomura performs Japan’s oldest celebratory dance in the Guggenheim’s Frank Lloyd Wright–designed rotunda with stage and costumes designed by internationally renowned artist Hiroshi Sugimoto. Presented in conjunction with the exhibition Gutai: Splendid Playground, Sanbaso is a tribute to the performance Ultramodern Sanbasō (1957) by Shiraga Kazuo, one of the leading figures of Japan’s avant-garde Gutai movement. Copresented by Japan Society.

  • Public Programs
    Sanbaso
    Thursday, March 28 @ 8:00 pm
    Sanbaso

    © Shinji Masakawa, courtesy of Odawara Art Foundation

    Seated: $50, $45 members, $25 students

    Buy Tickets

    Standing: $30, $25 members, $15 students

    Buy Tickets

    Box Office: 212 423 3587

    Star Kyogen actor Mansai Nomura performs Japan’s oldest celebratory dance in the Guggenheim’s Frank Lloyd Wright–designed rotunda with stage and costumes designed by internationally renowned artist Hiroshi Sugimoto. Presented in conjunction with the exhibition Gutai: Splendid Playground, Sanbaso is a tribute to the performance Ultramodern Sanbasō (1957) by Shiraga Kazuo, one of the leading figures of Japan’s avant-garde Gutai movement. Copresented by Japan Society.

  • Public Programs
    Sanbaso
    Friday, March 29 @ 8:00 pm
    Sanbaso

    © Shinji Masakawa, courtesy of Odawara Art Foundation

    Seated: $50, $45 members, $25 students

    Buy Tickets

    Standing: $30, $25 members, $15 students

    Buy Tickets

    Box Office: 212 423 3587

    Star Kyogen actor Mansai Nomura performs Japan’s oldest celebratory dance in the Guggenheim’s Frank Lloyd Wright–designed rotunda with stage and costumes designed by internationally renowned artist Hiroshi Sugimoto. Presented in conjunction with the exhibition Gutai: Splendid Playground, Sanbaso is a tribute to the performance Ultramodern Sanbasō (1957) by Shiraga Kazuo, one of the leading figures of Japan’s avant-garde Gutai movement. Copresented by Japan Society.

  • Film, Public Programs
    Barmak Akram: The Kabuli Kid
    Friday, April 5 @ 6:30 pm
    Barmak Akram, Wajma (An Afghan Love Story), 2012

    Barmak Akram, Wajma (An Afghan Love Story), 2012

    FREE with advance registration, or $5 at the door.

    A special one-time screening of Wajma (An Afghan Love Story), the most recent film written and directed by Barmak Akram. Following the screening, independent curator Leeza Ahmady and artist Mariam Ghani join Akram in a discussion about filmmaking in Afghanistan, as well as the historic context and themes of cinema from the region. English subtitles.

    Program of the Guggenheim UBS MAP Global Art Initiative.

  • Public Programs, Film
    No Country: Regarding South and Southeast Asia Part I
    Tuesday, April 16 @ 6:30 pm
    Doghole

    Wong Hoy Cheong, Doghole, 2010. Color video with sound, 22 min. Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund. © Wong Hoy Cheong, image courtesy the artist

    FREE with advance registration, or $5 at the door.

    Wong Hoy Cheong’s work speaks to subjects of history, colonization, racial harmony, and the movement of people. In his 2010 short film Doghole, the director recounts his father’s experiences during the Japanese occupation of Malaya, and his journey to Japan years later. This screening and talk are part of a two-day symposium that continues on April 18 at the Queens Museum of Art. English subtitles.

    Program of the Guggenheim UBS MAP Global Art Initiative.

  • Public Programs
    No Country: Regarding South and Southeast Asia Part II
    Thursday, April 18 @ 11:00 am
    The Propeller Group, Television Commercial for Communism, 2011–12

    The Propeller Group, Television Commercial for Communism, 2011–12. Color video, with sound, 1 min., edition 1/5. Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund © The Propeller Group. Photo: Courtesy the artists

    FREE with advance registration, or $5 at the door.

    The second day of the symposium takes place at the Queens Museum of Art. Artists, art historians, curators, and scholars address contemporary art practice in South and Southeast Asia. Tentative list of speakers includes Thomas Berghuis (Australia), Ly Daravuth (Cambodia), Gridthiya Gaweewong (Thailand), Sharmini Pereira (Sri Lanka), June Yap (Singapore/New York), and The Propeller Group (Vietnam/US). For details on the first day of the symposium, please see Wong Hoy Cheong’s artist talk on April 16.

    Program of the Guggenheim UBS MAP Global Art Initiative.

  • Public Programs
    Third Annual Robert Rosenblum Lecture: Bridget Alsdorf
    Tuesday, April 23 @ 6:30 pm
    Félix Vallotton, La Foule à Paris (The Paris Crowd), 1892

    Félix Vallotton, La Foule à Paris (The Paris Crowd), 1892. Woodcut on cream wove paper, block: 13.8 x 19.5 cm, sheet: 24.7 x 32.4 cm. Princeton University Art Museum, Museum purchase, Felton Gibbons Fund. Courtesy Princeton University Art Museum

    $12, $8 members, free for students with valid ID.

    Limited availability. Reserve a student ticket.

    Buy Tickets

    In her current research, Bridget Alsdorf, Princeton University, focuses on representations of theatrical audiences and crowds in fin-de-siècle France, with particular interest in art’s intersections with emerging fields of social psychology. Considering a range of artistic media, her work sheds new light on the work of Félix Vallotton, Pierre Bonnard, and Henri de Toulouse-Lautrec.

    The Annual Robert Rosenblum Lecture honors the wide-ranging career of Robert Rosenblum (1927–2006), former Guggenheim Swid Curator of 20th-Century Art, and Henry Ittelson Jr. Professor of Modern European Art, New York University, whose celebrated work included projects on Jean-Auguste-Dominique Ingres, Norman Rockwell, Andy Warhol, and the depiction of dogs in art. This series is facilitated by donors to the Robert Rosenblum Fund who are gratefully acknowledged for their generosity.

  • Public Programs
    Concrete Escort I, II, III, IV
    Friday, April 26 @ 6:00 pm
    Ei Arakawa, See Weeds, 2011

    Ei Arakawa, See Weeds, 2011, at Musée Les Abattoirs, Toulouse, France from Le Printemps de Septembre Festival, Courtesy of Taka Ishii Gallery, Tokyo, Photo: Alison Vieuxmaire

    $20, $15 members, $10 students

    Buy Tickets

    New York based Japanese performance artist Ei Arakawa invites painters, sculptors, dancers, filmmakers, and archivists to form a temporal group addressing Gutai today. Resulting in a performative exhibition tour where the audience will be escorted and repositioned, emphasis will be on the power dynamic within Gutai, women and men; singularity and plurality; performance and painting. Tasked to communicate the diversity of Gutai activities, each tour will journey along a different route. Participants include Ei Arakawa, Shinsuke Aso, Kerstin Brästch, Eileen Quinlan, and Amy Sillman.

  • Public Programs
    Concrete Escort I, II, III, IV
    Friday, April 26 @ 8:00 pm
    Ei Arakawa, See Weeds, 2011

    Ei Arakawa, See Weeds, 2011, at Musée Les Abattoirs, Toulouse, France from Le Printemps de Septembre Festival, Courtesy of Taka Ishii Gallery, Tokyo, Photo: Alison Vieuxmaire

    $25, $20 members

    Buy Tickets

    New York based Japanese performance artist Ei Arakawa invites painters, sculptors, dancers, filmmakers, and archivists to form a temporal group addressing Gutai today. Resulting in a performative exhibition tour where the audience will be escorted and repositioned, emphasis will be on the power dynamic within Gutai, women and men; singularity and plurality; performance and painting. Tasked to communicate the diversity of Gutai activities, each tour will journey along a different route. Participants include Ei Arakawa, Shinsuke Aso, Kerstin Brästch, Eileen Quinlan, and Amy Sillman. Tour is followed by a reception.

For more programs and events see the calendar