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Movement > Post-Minimalism
U.S., late 1960s
Coined by the art historian and critic Robert Pincus-Witten, Post-Minimalism refers to a general reaction by artists in America beginning in the late 1960s against Minimalism and its insistence on closed, geometric forms. These dissenting artists eschewed the impersonal object for more open forms. More
- Larry Bell, 20" Untitled 1969 (Tom Messer Cube), 1969
- Walter De Maria, Cross, 1965–66
- Walter De Maria, Museum Piece, 1966
- Walter De Maria, Star, 1972
- Eva Hesse, Expanded Expansion, 1969
- Richard Long, Red Slate Circle, 1980
- Gordon Matta-Clark, Reality Properties: Fake Estates, Little Alley Block 2497, Lot 42, 1974 (posthumous assembly, 1992)
- Gordon Matta-Clark, Conical Intersect, 1975
- Gordon Matta-Clark, Office Baroque, 1977