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Movement > Post-Minimalism
U.S., late 1960s
Coined by the art historian and critic Robert Pincus-Witten, Post-Minimalism refers to a general reaction by artists in America beginning in the late 1960s against Minimalism and its insistence on closed, geometric forms. These dissenting artists eschewed the impersonal object for more open forms. More
- Larry Bell, 20" Untitled 1969 (Tom Messer Cube), 1969
- Mary Corse, Light Painting, 1971
- Walter De Maria, Cross, 1965–66
- Ellsworth Kelly, White Angle, 1966
- Tadaaki Kuwayama, Untitled, 1962
- Richard Long, Red Slate Circle, 1980