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Movement > Neo-Expressionism
New York, Italy, and West Germany, late 1970s
Rejecting the restrictions against imagery and gestural treatment set by their Minimalist and Conceptual teachers and contemporaries, the Neo-Expressionists revived the formal elements of German Expressionism and Abstract Expressionism. More
- Georg Baselitz, The Gleaner, August 1978
- Francesco Clemente, Mother's Room, 1995–1997
- Francesco Clemente, Scissors and Butterflies, 1999
- Anselm Kiefer, Seraphim, 1983–84
- Anselm Kiefer, Berenice, 1989
- Anselm Kiefer, The Land of the Two Rivers, 1995
- Anselm Kiefer, Les Reines de France, 1995
- David Salle, Comedy, 1995
- Julian Schnabel, The Student of Prague, 1983