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Movements > Futurism

Italy, 1908

In a stylistic idiom that integrated some of the techniques of Cubism and Divisionism, the Futurists glorified the energy and speed of modern life together with the dynamism and violence of the new technological society.

Giacomo Balla, Abstract Speed + Sound (Velocità astratta + rumore), 1913–14

Umberto Boccioni, Dynamism of a Speeding Horse + Houses (Dinamismo di un cavallo in corsa + case), 1915

Raymond Duchamp-Villon, The Horse (Le cheval), 1914, cast ca. 1930

Natalia Goncharova, Cats (rayist percep.[tion] in rose, black, and yellow) (Koshki [luchistoe vospr.{iiatie} rozovoe, chernoe i zheltoe]), 1913

Kazimir Malevich, Morning in the Village after Snowstorm (Utro posle v'iugi v derevne), 1912

Liubov Popova, Birsk, 1916

Enrico Prampolini, Simultaneous Self-Portrait (Autoritratto simultaneo), ca. 1923

Gino Severini, Sea = Dancer (Mare = Ballerina), January 1914

Gino Severini, Red Cross Train Passing a Village (Train de la Croix Rouge traversant un village), summer 1915

Guggenheim

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Movements > Futurism