b. 1877, Berlin; d. 1962, Murnau, Germany
Münter's relationship with Kandinsky soon developed into an intimate companionship that would last for 14 years, until 1916. From 1904 to 1908 the two artists traveled throughout Europe and North Africa, spending more than a year in France. In 1909 Münter joined the Neue Künstlervereinigung München (NKVM; New Artists' Association of Munich), but she withdrew from the group to join Kandinsky and German artist Franz Marc in the newly formed group Der Blaue Reiter (The Blue Rider) in 1911.
Also in 1909, Münter purchased a house in Murnau, in the Bavarian countryside just outside Munich, where she and Kandinsky would spend every summer until the outbreak of World War I in August 1914. At that time Kandinsky, still a Russian citizen, was abruptly forced to leave Germany and return to his native country. Münter initially joined her companion in exile, but the two artists soon parted ways. Her relationship with Kandinsky ended definitively in 1917.
Münter subsequently stopped painting and traveled extensively for some ten years. In 1927 she met art historian Johannes Eichner, who became her lifelong companion. The two returned to Murnau in 1930, where Münter lived and worked until her death. Despite the limitations on artistic experimentation legislated and enforced by the National Socialist (Nazi) party, Münter continued to paint landscapes, portraits, and still lifes. In 1937, an exhibition of her work at the Kunstverein Münchner (Munich Art Association) was closed by the local Nazi district leader. After the war, the Braunschweiger Kunstverein (Brunswick Art Association) mounted a retrospective of her work in 1948, and in 1956 she was awarded the Culture Prize in Painting by the city of Munich.
In 1957, for her 80th birthday, the Städtische Galerie im Lenbachhaus in Munich held a retrospective of her work. Münter died on May 19, 1962, in Murnau.