Carol Stringari

Guggenheim Museum

Plan Your Visit

Solomon R. Guggenheim Museum
1071 Fifth Avenue
(at 89th Street)
New York, NY 10128-0173
Purchase tickets

Hours & Ticketing

Sun 10 am–5:45 pm
Mon 10 am–5:45 pm
Tue 10 am–5:45 pm
Wed 10 am–5:45 pm
Thu CLOSED
Fri 10 am–5:45 pm
Sat 10 am–7:45 pm

See Plan Your Visit for more information on ticketing.


Admission

Adults $22
Students and Seniors (65 years +) with valid ID $18
Children 12 and under Free
Members Free

 

Multimedia Guides

Multimedia guides are free with admission.


Further information:
Directions to the museum
Group sales
Restaurants

Deputy Director and Chief Conservator

Carol Stringari joined the Guggenheim staff in 1992. She is responsible for assessing and developing policies and procedures for the care and treatment of the collection. Working closely with the conservation and curatorial staffs, she identifies priorities and oversees research and treatment. She manages conservation for a global loan and exhibition program, working with the staff to assess risk and develop guidelines for safe travel and installation, as well as for environmental conditions and the proper storage of the collection. She has led an initiative to garner advocacy for conservation by establishing the Conservation Council, and is overseeing the design of a new satellite lab at the museum. She has carried out research and treatment on a wide range of artworks, including works by Vincent van Gogh, László Moholy-Nagy, Robert Ryman, Bruce Nauman, and Ad Reinhardt.

Stringari played a key role in formulating and implementing the Guggenheim's Panza Collection Conservation Initiative as well as the Variable Media Initiative. The Variable Media Initiative is an innovative methodology for documenting conceptual and ephemeral works for long-term preservation that involves working with contemporary artists to gain a thorough understanding of the conceptual underpinnings and material nature of their work. She co-curated an exhibition specifically on this theme in 2004, titled Seeing Double: Emulation in Theory and Practice. In 2008, Stringari curated the exhibition Imageless, the culmination of a long-term research project on the scientific analysis and experimental laser treatment of a damaged study painting by Reinhardt. She is a founding member of the International Network for the Conservation of Contemporary Art and is an adjunct professor at the Institute of Fine Arts, New York University.

Stringari holds a BA in art history from the University of Pennsylvania and an MS from the art conservation program at Winterthur Museum/University of Delaware. Before her tenure at the Guggenheim, she worked at the Museum of Modern Art, New York.