Guggenheim UBS MAP Global Art Initiative - South and Southeast Asia

No Country: Contemporary Art for South and Southeast Asia

February 22 – May 22, 2013, Solomon R. Guggenheim Museum, New York

The first exhibition in the Guggenheim UBS MAP Global Art Initiative features work by 22 artists and collectives representing some of the most compelling and innovative voices in South and Southeast Asia today. Curated by June Yap, Guggenheim UBS MAP Curator, South and Southeast Asia, No Country: Contemporary Art for South and Southeast Asia focuses on artistic practices in locales including Bangladesh, India, Indonesia, Malaysia, Myanmar, Pakistan, the Philippines, Singapore, Thailand, and Vietnam. More

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Programs

Date Program Type / Description Venue Tickets
04/12/13

Tour

Curator’s Eye Tour with June Yap

Guggenheim Museum

Free with admission
02/23/13 - 05/22/13

Film Program

Exhibition Films

Guggenheim Museum

Free with admission
05/17/13

Film Program

Century of Birthing (Siglo ng pagluluwal)

Guggenheim Museum

Free with admission
05/10/13

Film Program

Century of Birthing (Siglo ng pagluluwal)

Guggenheim Museum

Free with admission
05/03/13

Film Program

Century of Birthing (Siglo ng pagluluwal)

Guggenheim Museum

Free with admission
04/20/13

Workshop

Workshop for Educators with Artist Khadim Ali

Guggenheim Museum

Free with RSVP, $5 at door
04/18/13

Symposia

Day 2: No Country: Regarding South and Southeast Asia

Queens Museum of Art

Free with RSVP, $5 at door
04/16/13

Symposia

Day 1: No Country: Regarding South and Southeast Asia

Guggenheim Museum

Free with RSVP, $5 at door
04/16/13

Screening/Talk

Doghole, Wong Hoy Cheong

Guggenheim Museum

Free with RSVP, $5 at door
04/05/13

Screening/Talk

Kabuli Kid, Barmak Akram

Guggenheim Museum

Free with RSVP, $5 at door
04/26/13

Film Program

Stories from Southeast Asia

Guggenheim Museum

Free with admission
04/19/13

Film Program

Stories from Southeast Asia

Guggenheim Museum

Free with admission
04/12/13

Film Program

Stories from Southeast Asia

Guggenheim Museum

Free with admission
04/05/13

Film Program

Stories from Southeast Asia

Guggenheim Museum

Free with admission
04/05/13

Tour

Conservator’s Eye Tour with Joanna Phillips

Guggenheim Museum

Free with admission
03/29/13

Film Program

History of Histories: Afghan Films 1960 to Present: Introduced by Mariam Ghani and Leeza Ahmady

Guggenheim Museum

Free with admission
03/22/13

Film Program

History of Histories: Afghan Films 1960 to Present

Guggenheim Museum

Free with admission
03/15/13

Film Program

History of Histories: Afghan Films 1960 to Present

Guggenheim Museum

Free with admission
05/19/13

Family Program

Open Studio

Guggenheim Museum

Free with admission
05/12/13

Family Program

Open Studio

Guggenheim Museum

Free with admission
05/05/13

Family Program

Open Studio

Guggenheim Museum

Free with admission
04/28/13

Family Program

Open Studio

Guggenheim Museum

Free with admission
04/21/13

Family Program

Open Studio

Guggenheim Museum

Free with admission
04/14/13

Family Program

Open Studio

Guggenheim Museum

Free with admission
04/07/13

Family Program

Open Studio

Guggenheim Museum

Free with admission
03/31/13

Family Program

Open Studio

Guggenheim Museum

Free with admission
03/24/13

Family Program

Open Studio

Guggenheim Museum

Free with admission
03/17/13

Family Program

Open Studio

Guggenheim Museum

Free with admission
03/10/13

Family Program

Open Studio

Guggenheim Museum

Free with admission
03/03/13

Family Program

Open Studio

Guggenheim Museum

Free with admission
05/19/13

Family Program

Just Drop In!

Guggenheim Museum

Free with admission
05/12/13

Family Program

Just Drop In!

Guggenheim Museum

Free with admission
05/05/13

Family Program

Just Drop In!

Guggenheim Museum

Free with admission
04/28/13

Family Program

Just Drop In!

Guggenheim Museum

Free with admission
04/21/13

Family Program

Just Drop In!

Guggenheim Museum

Free with admission
04/14/13

Family Program

Just Drop In!

Guggenheim Museum

Free with admission
04/07/13

Family Program

Just Drop In!

Guggenheim Museum

Free with admission
03/31/13

Family Program

Just Drop In!

Guggenheim Museum

Free with admission
03/24/13

Family Program

Just Drop In!

Guggenheim Museum

Free with admission
03/17/13

Family Program

Just Drop In!

Guggenheim Museum

Free with admission
03/10/13

Family Program

Just Drop In!

Guggenheim Museum

Free with admission
03/03/13

Family Program

Just Drop In!

Guggenheim Museum

Free with admission

About the Region

Iftikhar Dadi
“Curating South Asia” by Iftikhar Dadi

Patrick D. Flores
“Southeast Asia: Art History, Art Today” by Patrick D. Flores

Artworks

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Perspectives

Abhishek Hazra

Samplings from the Zhadhya Archive Centre

Samplings from the Zhadhya Archive CentreThis series, produced in close collaboration with the staff of the Zhadhya Archive Centre, features selections from the institution’s recent acquisitions.

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Hammad Nasar

Karachi Pop: Vernacular Visualities in 1990s Karachi

Karachi Pop: Vernacular Visualities in 1990s KarachiI want to introduce two bodies of work produced by a group of four artists—Durriya Kazi, David Alesworth, Iftikhar Dadi and Elizabeth Dadi—in 1990s Karachi. These works are exemplary of these artists’ explorations of the popular and the everyday.

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Murad Khan Mumtaz

Miniature Painting in Pakistan: Divergences Between Traditional and Contemporary Practice

Imran Qureshi, Moderate Enlightenment (detail), 2007Despite its strong association with the modern nation of Pakistan, the genre of contemporary miniature painting belongs to a larger history of Indian art.

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Nancy Adajania

Beyond the Commodity Fetish: Art and the Public Sphere in India

Beyond the Commodity Fetish: Art and the Public Sphere in IndiaRather than conduct a general survey of contemporary Indian art, I would like to draw attention to two major and formative histories of artistic production and the creation of an infrastructure of cultural knowledge in postcolonial India.

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Zoe Butt

Dinh Q. Lê in conversation with Zoe Butt

Dinh Q. Lê in conversation with Zoe Butt“Over the years, Dinh, we’ve spoken a lot about your interest in history—particularly the complicated story of Vietnam—and about your fascination with objects and images that have become infused with hidden narratives.”

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Jason Wee

Reading Spaces, Spaces for Reading

Reading Spaces, Spaces for ReadingIn Singapore, between the freshly designated arts and museum district in Bras Basah and that bastion of colonial hospitality known as the Raffles Hotel, sits a remarkable work of architecture, the Central Library.

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Susan Hapgood

Bombay from the Ground Up, Performance Included

Bombay from the Ground Up, Performance IncludedAs a curator new to Mumbai, I found the metropolis thriving, fascinating—and sometimes maddening. There is a tight-knit contemporary art community in the city that has become accustomed to international curators swooping in and out like the ubiquitous Bombay crows.

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Veronika Radulovic

One Size Fits All; or, Whose Public Space?

One Size Fits All; or, Whose Public Space?In 1997, addressing the idea of “contemporary Vietnamese art,” artist Truong Tan designed a T-shirt featuring a drawing of a seated male nude headed “Bao Ton My Thuat” (Defend Beautiful Art).

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Aung Min

The Story of Myanmar Documentary Film

The Story of Myanmar Documentary FilmDecember 1974: I am ten years old. Rangoon’s roads and streets are almost empty of cars and pedestrians, but the chants of protestors sound in the distance. Eventually, rows of angry students appear, led by a young man in a white shirt, white long pants, and white canvas shoes.

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Lee Weng Choy

Publics, Intellectuals, and Singapore

Publics, Intellectuals, and SingaporeBeng-Huat Chua, an esteemed sociologist, once told me about the two-jumbo-jet theory of Singapore. This was several years ago, and he was half-joking or perhaps entirely joking (I’m not even sure he remembers the exchange).

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Leonhard Bartolomeus

Street Art in Indonesian Social and Political Life

Street Art in Indonesian Social and Political LifeSome people pass in front of a building. Architecturally, there is nothing special about the place, but in the eyes of photographer Cas Oorthuys, its walls frame a significant moment of struggle in the life of his country.

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Roger McDonald

Laughter, Boos, and Silence: Duto Hardono in Conversation with Roger McDonald

From left: Duto Hardono and Roger McDonald.In this interview, conducted in August 2012, curator and lecturer Roger McDonald talks to Indonesian sound artist Duto Hardono in Shinjuku, the high-rise shopping hub of Tokyo.

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Gridthiya Gaweewong

Decentralizing the Bangkok-centric Art Scene

Decentralizing the Bangkok-centric Art SceneLacking a clear ethos and preoccupied with Bangkok, it took 40 years from the establishment of Thailand's first art school in the 1940s for related facilities to appear in Bangkok and other regional centers.

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Yee I-Lann

Wild Place

Wild PlaceThe descent begins. Sit on the right. The edge of the island is an endless, nondescript line on the horizon. The name Borneo however, colors that line with a sense of expectation and—if you know the place well enough—those inseparable partners, love and despair.

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Ma Thanegi

Rural Life in Myanmar

Rural Life in MyanmarMyanmar has a landmass of 261,789 square miles and a population of 60 million people divided into over 130 ethnic races. 80 percent of its people are Buddhist and three-quarters of them live in rural areas.

More

Russell Storer

Australia/Asia

Australia/AsiaIn Australia, there's been a lot of talk recently about the Asian Century—again. Every day, issues emerge that testify to the crucial importance of the country's relationship with Asia.

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Patrick D. Flores

Southeast Asia: Art History, Art Today

Patrick D. FloresConsider the complexity of the category “Southeast Asia” as a kind of theater. On one level, it is a stage on which a great tradition is idealized, the spectacle of a storied past juxtaposed with the speed and density of current urban life.

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Iftikhar Dadi

Curating South Asia

Iftikhar DadiAt its best, curating is an intellectual and social passion, but it is also a “profession,” in the sense that any successful curatorial intervention requires interaction with physical and mental ecologies and infrastructures.

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Guggenheim Staff

Interview with June Yap

Interview with June Yap

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