No Country: An Introduction
Spotlight on Brazil
In this new video, Brazilian artist Erika Verzutti talks about the significance of the different types of materials used in her sculptures. Elsewhere, Recife-based curator Cristiana Tejo explores the pivotal work of sociologist Gilberto Freyre, and artist Jonathas de Andrade discusses three of his works that examine the connections between history, ideology, and power in Brazil. For more from Brazil and a truly global view of MAP, browse our interactive map.
New from MAP
The Propeller Group’s extraordinary exploration of ballistics, A Universe of Collisions, opens August 7 at Kansas City’s Grand Arts; opening the same day at Santiago’s Centro des las Artes 660 is A Silent War and Impossible, the first retrospective in his native country of work by Chilean artist Iván Navarro. Another first: Damián Ortega’s work is on view in Milan’s HangarBiococca art space in the Mexican artist’s first solo exhibition in Italy.
Tania Bruguera in the News
Earlier this month, the Museum of Modern Art announced its acquisition of Tania Bruguera’s work Untitled (Havana, 2000), and the City of New York named her as the first artist-in-residence for the Mayor’s Office of Immigrant Affairs. Bruguera, who has been restricted from leaving Havana since May of this year, also had her passport restored to her by Cuban officials, raising hopes that she will be able to celebrate her New York achievements in person.
Vandy Rattana Shortlisted for Art Award
No Country artist Vandy Rattana is one of six finalists for the 2015 Hugo Boss Asia Art Award. The winner, selected by an international jury that includes Guggenheim curator Alexandra Munroe and NTU CCA Singapore director Ute Meta Bauer, will be announced in November. In this video, Rattana describes the genesis of his Bomb Ponds series.
Sara Raza Curates Azerbaijan Art Festival
Running through October 5 at Baku’s YARAT Contemporary Art Space, A Drop of Sky offers artistic perspectives on the city’s history as a center of trade and its recent gentrification. The festival is curated by Sara Raza, MAP curator for the Middle East and North Africa, who also serves as YARAT’s Head of Education.
The Guggenheim UBS MAP Global Art Initiative fosters cross-cultural interaction between artists, curators, and audiences via educational programs, online activities, and collection building. It focuses on three regions—South and Southeast Asia, Latin America, and the Middle East and North Africa.
Initially presented at the Solomon R. Guggenheim Museum (Feb 22–May 22, 2013), MAP’s inaugural exhibition No Country: Contemporary Art for South and Southeast Asia traveled to two international venues: the Asia Society Hong Kong Center (Oct 30, 2013–Feb 16, 2014) and the NTU Centre for Contemporary Art Singapore (May 10–July 20, 2014). Curated by June Yap, the exhibition and its accompanying programs explored universal themes of national identity, power, and faith.
Organized by Pablo León de la Barra, Under the Same Sun: Art from Latin America Today examines Latin America’s past, present and future through creative responses to the region’s complex political, economic, and social issues. The second of three MAP exhibitions, Under the Same Sun debuted at the Solomon R. Guggenheim Museum (June 13–Oct 1, 2014) and will travel to the Museo Jumex in Mexico City in fall 2015.
No Country: An Introduction
No Country’s curator June Yap reveals some of the exhibition’s themes and aims, and discusses a selection of the featured artworks. Artists Truong Tan, Wah Nu and Tun Win Aung, and Arin Dwihartanto Sunaryo explain more about the inspirations for and meanings of their contributions.
The Guggenheim UBS MAP Global Art Initiative is supported by a variety of far-reaching educational and contextual activities, including lectures, panels, performances, films, gallery tours, multimedia mobile tours, and artist-led workshops. These programs and accompanying resource materials will evolve from a dynamic process of exchange among the Guggenheim’s curatorial and education staff, the project curators, the artists, and colleagues from participating institutions. Check this section, Facebook, Twitter, and e-mail for further details and news.