Moving Pictures:
Janine Antoni
“What became fascinating during the process was the resistance
or the impossibility of turning my parents into each other. What I was
arriving at was a half-mom, half-dad creature, but to create this composite
I had to reverse our roles in the sense that my parents made me, and
now I was remaking them.”
—Janine Antoni
About the artist
Janine Antoni creates works that draw upon the intimate rituals of everyday
life, such as eating, bathing, sleeping, and washing. Her art operates in
the space between object and performance, as in works sculpted with her teeth
or tongue, a painting executed on the floor using her hair as a “brush,” or
drawings made with her fluttering eyelashes. Antoni used her parents as sculptural
material in this photographic triptych Mom and Dad (1994). Working with prosthetic
make up, wigs, and clothing, she refashioned her father to look like her
mother and vice versa. She photographed them together—mother/mother,
father/father, and mother/father—in the poses of classical portraiture.
Their inverted images confound gender distinctions and question the neatly
divided dichotomies of paternal/maternal and masculine/feminine, as Antoni
explains in the quote above. In the end, the artist decided that this triptych
was really “another self-portrait, because that is what I am, a biological
composite of the two. ”
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| View + Discuss |
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- Take a careful look at this triptych—three photographs—by
Janine Antoni. What do you notice? What seems to be happening as
you look at this sequence of images?
- Do you think the artist knows these people? Why or why not?
- Each of the photographs captures the same two people—the
artist’s mother and father. (Have students look at the image
again and discuss further. If we were to meet her parents, which
two people among the six photographed here are closest to what
they would actually look like?)
- What message is Antoni communicating by portraying her parents
in this way? What difference would it have made if she had just
done one traditional photograph of her parents, that is, the two
people you just identified?
- How do you think she created this work? Was the photo manipulated
in some way?
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(Discuss and compare with earlier student speculations
about her process.) Antoni will often perform acts or rituals
inspired by everyday life as an important part of the creation
of her work—what act is she performing here?
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Although these images portray her parents, Antoni
considers this work a self-portrait. Why?
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| Art Explorations |

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Explore Antoni’s concept
of melding the features of two people into one by using collage rather
than stage makeup. First, take a digital face-front photo or photocopy
of each student enlarged onto an 8 1/2 x 11–inch page. Have students
choose someone they would like to be “merged” with such as
a historical figure, a contemporary leader, a person in the news, or
a classmate, depending on the project’s relationship to the curriculum.
Next, have students find an image of the person they are researching
either online (Google’s Image Gallery is a good source) or from
a book that can be scanned or photocopied to fit on an 8 1/2 x 11–inch
page. Make several copies of both faces. Have them combine the features
from both faces to create a person with aspects of each.
Once the new portrait collage is completed, write a short biography
that combines the student’s traits with those of the person they
have researched.
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Using computers and a scanner, ask
students to bring in portrait-style photographs of their parents, relatives,
or friend, and a portrait of themselves. Using a simple imaging program
like Microsoft Office Paint or a more advanced program such as Adobe
Photoshop, help students scan the images and import the files. Crop
the image so that the faces are the same pixel size, and then import
the images into separate Layers using the following commands:
File > New,
File > Open,
File > Crop,
View > Actual Pixels
Then, have them superimpose their own physical features onto those
of the other image to create a new portrait image. Import each image
into two separate layers and use the opacity tool to super-impose the
two layers. Certain tools such as the Smudge tool are particularly
helpful for blending facial features. Instead of Adobe Photoshop, students
can also use the Cut and Paste edit tools found in most imaging software
programs to build a digital collage of facial features taken from the
two portraits.
Print the finished digital images on fine photographic paper, and
mount them on the wall between the two original photos to form a triptych.
Have students try to recognize physical traits passed from their parents
or relatives.
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| Additional Resources |
Princenthal, Nancy. “Janine Antoni: Mother’s
Milk.” Art in America, September, 2001, pp. 125–29.
Janine Antoni, et al. Janine Antoni. Hatje Cantz Publishers, 2001.
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